Uyilo olubizwa ngokuba yi-Soo No. 2 Isitulo olwenziwe ngu-Sangin Park ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweFanitshala.
IsilivereIfanitshala· 2026
Soo No. 2 Isitulo
ngu Sangin Park
Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ifanitshala
Umwini Webhaso Oqinisekisiweyo
Qinisekisa Isimo Sebhaso se-#179701Uyilo
Malunga ne-Soo No. 2 Isitulo
USoo No. 2 sisitulo esenziwe ngomthi esiyilelwe ukuhlala kwemihla ngemihla. Kwizitulo ezininzi imilenze yangasemva iyaqhubeka isiya phezulu ukuxhasa isixhaso somqolo. KuSoo No. 2 imilenze yangasemva kunye nezixhasi zesixhaso somqolo zahlulwe zaba ngamalungu azimeleyo. Oku kwahlulwa kuphucula ukuzinza kwesakhiwo kwaye kudala ulungelelwaniso olucacileyo emehlweni. Imilenze imile okwesilinda kwaye indawo yokuhlala ilukwe ngentambo yaseDenmark (Danish cord). Onke amadibaniso esakhiwo asebenzisa ubuchule bokudibanisa be-mortise ne-tenon, kwaye amadibaniso agqobhozayo enza imihombiso emincinci emile okwedayimani ecaleni kwesakhelo. Izixhaso zeengalo kunye nezixhaso zomqolo zibethelelwe ngezikhonkwane zebhrasi ezifihlakeleyo.
Ukuqatshelwa
Malunga ne-Ibhaso Lesilivere le-A' Design Award
Soo No. 2 Isitulo ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Soo No. 2 Isitulo iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Soo No. 2 Isitulo yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.
Emva Koyilo
Ikhithi Yeendaba
Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.
- Iimpawu Ezizodwa
- The most distinctive feature of this chair is the design of its rear legs. While conventional chairs extend the rear legs upward to support the backrest as two vertical columns, this approach was reconsidered in terms of structural stability. By separating the rear legs from the backrest support as independent elements, the design achieves both enhanced structural integrity and a clear sense of visual balance.
- Imilinganiselo nePakishini
- Width 580mm x Depth 640mm x Height 770mm
- Iithegi
- chair, chair design, woodworking
- Ubuchwepheshe Bokuvelisa
- In realizing this chair, certain elements were intentionally kept traditional, including the cylindrical legs and a seat woven with Danish cord. Special attention was required where the squared frame members meet the round legs. All Structural joints are crafted using mortise and tenon joinery, with through mortise and tenon joints forming subtle diamond-shaped details along the frame sides. The armrests and back rest supports are fixed with discreet brass pins, preserving the clarity and simplicity of the overall shape.
- Umngeni Woyilo
- Design is shaped by the social and cultural context in which it is produced. Working within the Korean cultural context, where floor-based living has historically shaped furniture traditions, forms such as chests and low tables developed more clearly than chairs. This absence can create uncertainty for contemporary woodworkers, who often reference traditional architecture when designing chairs. This project began by questioning whether traditional forms were created primarily for aesthetic expression or as practical responses to life and the human body. Rather than replicating inherited forms, the focus shifted toward designing a chair that responds to bodily experience and everyday use.
- Uphando
- Type of Research :
Practice-based design research.
Research Objective :
To explore how visual stability and comfort interact in chair design.
Methodology :
Full-scale making and iterative adjustment of structure and angles.
Data Collection and Research Tools Used :
Physical prototypes, sitting tests, and dimensional comparison.
Participants or Experiments :
Separating rear legs from backrest support to resolve structural conflict.
Results :
Greater formal freedom and improved balance.
Insights :
Because rear legs and backrest supports perform different roles and absorb forces differently when seated, separating them—beyond concerns of material efficiency—allows chair design to become more flexible and expressive.
Impacts :
The study contributes to furniture design by demonstrating how structural separation can expand formal possibilities while improving everyday seating comfort. - Inkuthazo
- The chair was inspired by 12 months of building 12 different chairs, during which the relationship between the rear legs and the backrest support became a recurring concern. In conventional designs, rear leg placement that improves stability often compromises posture, while configurations that support proper seating increase the risk of tipping, with angled legs further distorting the overall form. These tensions led to the decision to separate the two functions into distinct structural elements
- Ubude Beprojekthi
- This chair is the final outcome of a personal project involving the creation of 12 different chairs over a 12 month period. The making of this chair itself, including the final wax finish, took approximately twenty days. However, the process of determining the appropriate shapes and compositions for each part took place almost a year. The chair was crafted in December 2025 in Go-yang City, on the outskirts of Seoul, South Korea.
- Ukuhamba Komsebenzi
- A chair is the piece of furniture that comes into closest contact with the human body. Beyond visual appeal, it must satisfy the highly subjective requirement of comfort. As the position and proportion of each element strongly shape the user’s experience, several dimensions were referenced from a classic chair by Hans J. Wegner, known for its balanced and familiar comfort. Interestingly, adopting only selected measurements leads to a distinctly new experience, revealing the unique and subtle nature of how a chair interacts with the human body.
Okuxhasiweyo
Hlola Ngaphaya kwe-Designers.org
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Okungakumbi Ongakuphonononga
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