Nomad House Indawo yokuhlala ngu-Ryoko Ogoshi

Uyilo olubizwa ngokuba yi-Nomad House Indawo yokuhlala olwenziwe ngu-Ryoko Ogoshi ngumwini obekekileyo webhaso elinobukhazikhazi le-2026 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lweNdawo yangaPhakathi kunye noMboniso.

IsilivereIngaphakathi· 2026

Nomad House Indawo yokuhlala

ngu Ryoko Ogoshi

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ingaphakathi

17,500

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#179659

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-Nomad House Indawo yokuhlala

INomad House Residential luhlaziyo lwendlu yekhonkrithi enomxube wentsimbi eneminyaka engama-40 ubudala, eseTokyo. Iphefumlelwe yi-"Nomadic Living", yayilyilwe yenzelwa umthengi obehlala kwizixeko ezahlukeneyo ehlabathini lonke. Endaweni yokuphinda idale ezo ndawo, uyilo lubonakalisa imo-moya yazo ngokusebenzisa ukukhanya, izixhobo kunye nesithuba, ludala ikhaya elinokuguquguquka eTokyo. Ngokususa ukugqibezela okungeyomfuneko, iprojekthi yatyhila isimilo sesakhiwo esikhoyo. Ukuphuculwa kobushushu, iinkonzo ezihlaziyiweyo kunye nokuthobela imimiselo kwandisa amathuba ayo okuhlala kwixesha langoku esixekweni.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

Nomad House Indawo yokuhlala ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. Nomad House Indawo yokuhlala iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. Nomad House Indawo yokuhlala yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: This project reimagines a 40-year-old residence as a spatial response to contemporary nomadic living.

Rather than simply reorganizing functions, the design establishes a layered spatial sequence that transitions from openness to intimacy. The upper floor is conceived as a continuous, light-filled living space, while more private functions are embedded within the lower levels and basement. This vertical organization creates a gradual shift in atmosphere, allowing different modes of inhabitation to coexist.

A private bar space in the basement introduces a contrasting, introspective layer within the house, reinforcing the multiplicity of spatial experiences.

By carefully removing existing layers instead of adding new elements, the project reveals the latent spatial potential of the original concrete structure, transforming constraints into opportunities. Building services are thoughtfully integrated within the structural framework, resulting in a refined and cohesive architectural expression.
Imilinganiselo nePakishini: The project renovates a 40-year-old reinforced concrete residence while preserving the original structural frame. Mechanical and electrical systems were reorganized within existing constraints, with spatial planning closely coordinated with building services.

The top floor features a sloped ceiling that maximizes spatial volume, while the intermediate levels accommodate bedrooms and wet areas, forming a more private and functional layer. The basement houses a private man cave with a bar, creating a contrasting, enclosed and introspective environment.

Together, these vertically layered spaces establish a gradation from openness to intimacy throughout the house.
Iithegi: Nomadic Living, Residential Interior, Interior Renovation, Contemporary Interior, Multi-Level Living, Experiential Interior, Man Cave
Ubuchwepheshe Bokuvelisa: The renovation preserves the existing reinforced concrete structure while transforming its spatial potential.

The design was developed based on detailed on-site investigations and structural assessments conducted prior to construction. Mechanical and electrical systems were reorganized within existing constraints, integrating structure, building services, and interior planning into a cohesive whole.
Umngeni Woyilo: The main challenge was reorganizing the spatial layout within the constraints of the existing structure. Careful coordination between structure, building services, and interior design was essential to achieve spatial clarity and functionality.
Uphando: This project investigates how an existing residential structure can be reinterpreted for contemporary urban living through spatial reorganization rather than superficial renovation. By carefully reading the existing structure, building services, and circulation, the design explores how layered atmospheres and spatial depth can be created within architectural constraints.
Inkuthazo: This project reinterprets a 40-year-old reinforced concrete residence in Tokyo by carefully removing existing layers to reveal its latent spatial potential. The design is informed by a contemporary nomadic lifestyle, reflecting a client who has lived across multiple cities and continues to travel. Rather than defining the house as a fixed residence, it is conceived as a place of return between journeys, where personal memories gradually emerge through everyday inhabitation.
Ubude Beprojekthi: This project was designed and realized in Tokyo, Japan.
The design and construction period extended from August 2024 to December 2025.
Ukuhamba Komsebenzi: Design development was guided by drawings, on-site investigations, and structural inspections. Continuous on-site evaluation allowed adjustments to be made while maintaining spatial clarity.
Amagunya Emifanekiso: images: Photography by Koji Fujii / TOREAL, Inc.
Video: Directed and edited by Ryoko Ogoshi