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Cubes Aleorion Lighthouse by Vasilis Mylonas
Cubes Aleorion Lighthouse by Vasilis Mylonas
Cubes Aleorion Lighthouse by Vasilis Mylonas
Cubes Aleorion Lighthouse by Vasilis Mylonas
Cubes Aleorion Lighthouse by Vasilis Mylonas

bo.M Design Studio

Bronze Architecture, Building and Structure Design · 2022

Cubes Aleorion Lighthouse

by Vasilis Mylonas

  • A' Design Award 2022 Bronze Winner in Architecture, Building and Structure Design
  • Awarded April 15, 2022
  • CLIENT: bo.M Design Studio
  • Estimated Number of Design Views: 13,039
  • Verification code B54E6D4B11 · Verify this award
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About Cubes Aleorion Lighthouse

Cubes Aleorion is a concept lighthouse that was developed for the edge of the breakwater of the seaport of Volos, Greece. The lighthouse tower is composed of cube shaped concrete blocks stacked upon each other, gradually shifted off center, differentiating in size and cut out in various ways, creating internal voids that house a stairway to the top. Openings on each level, frame different perspectives of the city, the port, the bay area and the opposite coast. The exposed all concrete structure echoes the materiality of the city port, the paved breakwater and the urban surroundings.

Press Kit

Unique Properties
The Cubes Aleorion is a proposal for a new lighthouse for the port of Volos, Greece. A tower is formed by cube shaped all concrete blocks that are placed upon each other, are horizontally slightly shifted off center and are cut out in various ways, creating internal voids that house the stairway to the top. It is a modern interpretation of the so called Aleorion of Xerxes, originally built around 480 BC in the middle of the sea passage between Skiathos island and mount Pelion in central Greece.
Dimensions & Packaging
Design concept was developed on the basis of cube shaped concrete blocks placed upon each other, forming a 14.25m tower.
Tags
lighthouse, concrete, brutalism, observatory, port, greece
Production Technology
Cubes Aleorion design concept was developed on the basis of cube shaped concrete blocks placed upon each other. The blocks are horizontally shifted around the main vertical axis, gradually differentiate in size and finally are cut out in various ways, creating internal voids and openings. Inside the hollow space created, the stairway to the top is being placed. The exposed all-concrete lighthouse structure echoes the materiality of the port breakwater and the urban character of the surroundings.
Design Challenge
The real challenge was to create ana architectural form that respects various factors at the same time, such the landmark position of the lighthouse at the entry of the city port, the materiallity and aesthetics of the urban enviroment and the long history roots of the city and the port itself and the character of a maritime nation sailing the Mediterranean for thousand of years.
Project Duration
Cubes Aleorion location is the port of Volos, Greece
Operation Flow
The vertical circulation, besides a necessity for technical and maintenance purposes, serves as an open invitation to visitors to explore the structure and enjoy the view. Each level frames a different viewpoint of the bay, thus creating new perspectives of the city, the port, the sea and opposite coast of the Pagasetic Gulf. The casual walk on the paved breakwater is enriched with a new end-destination, encouraging the extension of the city waterfront promenade onto the sea. A new landmark of the port and the city is born.
Research
The research spanned almost the whole naval history of Greece and finally found inspiration at the most ancient maritime safety structure in the world that once stood on the reef Lefteris, in the middle of the sea passage between Skiathos island and mount Pelion in central Greece
Inspiration
The project was inspired by the so called Aleorion of Xerxes, built around 480 BC and once stood on the reef Lefteris of the Aegean Sea, Greece. It is considered as the most ancient maritime safety structure in the world, built 250 years before the Lighthouse of Alexandria. The Dolomite stones, used for the construction of the lighthouse were placed on top of each other forming a tower that functioned as a warning sign of the reef and the nearby very shallow waters.
Image Credits
Image #1: Creator Vasilis Mylonas, Cubes Aleorion 01, 2021.
Image #2: Creator Vasilis Mylonas, Cubes Aleorion 02, 2021.
Image #3: Creator Vasilis Mylonas, Cubes Aleorion 03, 2021.
Image #4: Creator Vasilis Mylonas, Cubes Aleorion 04, 2021.
Image #5: Creator Vasilis Mylonas, Cubes Aleorion 05, 2021.

Colors of Cubes Aleorion Lighthouse

Design Interview about Cubes Aleorion Lighthouse

The project was inspired by the so called Aleorion of Xerxes, built around 480 BC and once stood on the reef Lefteris of the Aegean Sea, Greece. It is considered as the most ancient maritime safety structure in the world, built 250 years before the Lighthouse of Alexandria. The Dolomite stones, used for the construction of the lighthouse were placed on top of each other forming a tower that functioned as a warning sign of the reef and the nearby very shallow waters.
The idea and the main principle of Cubes Aleorion was to create a modern interpretation of the aleorion and to transcribe the essence of the ancient structure to a modern landmark tower.

The main focus in designing Cubes Aleorion was to create a piece of architecture that could both remotely resonate instances of ancient maritime architecture and the same time echo the materiality, the form aesthetics of the modern urban environment of today and the long history roots of the city and the port itself, as well as the character of a maritime nation sailing the Mediterranean for thousand of years.

Cubes Aleorion Lighthouse is proposal for a landmark structure for the port entrance of the city of Volos, Greece. Speaking from the architect's point of view, there can't be any real future plans for a concept project that has already been delivered to public audience. It is entirely up to the citizens of the city and the competent authorities if such a project would be a meaningful and valuable addition to the urban landscape of the city.

Including research, tons of drafts and concepts designs, the actual designing process and final renderings and presentations, I would say about 7-8 months.

No, the design was not commissioned by anyone. It was a personal humble attempt for a contribution to the urban environment of the city I live and work in.

No, Cubes Aleorion is not for sale. It is just a personal proposal for the port and the city of Volos, Greece and it is entirely up to the citizens of the city and the competent authorities if such a project would be a meaningful addition to the urban landscape of the city.

The absence of a modern lighthouse structure at the end of the 1 km long breakwater of the city port of Volos, as well as the belief that such a structure could act as local landmark.

Definitely. The guidance, advising and critique of architects Theoklis Kanarelis and Konstantinos Manolidis was invaluable, to say the least.

There are no customers for Cubes Aleorion. It is an attempt for a small contribution to the public architecture of the city.

That is not up to me to say.

The name comes from the ancient greek word, dating back to the age of Homer, "Aleorion" [etym. < anc. Greek: ἀλεωρή “avoidance, to avoid”] meaning a navigation mark to show reefs or other hazards.

Lots of pens and drafting paper, professional cad and rendering software, balsa wood for physical modeling and maquette.

Each level of Cubes Aleorion frames a different viewpoint of the bay, thus creating new perspectives of the city, the port, the sea and opposite coast of the Pagasetic Gulf. The casual walk on the paved breakwater is enriched with a new end-destination, encouraging the extension of the city waterfront promenade onto the sea.

The intention was to leverage simple and well established technology. And that is pre-cast reinforced concrete and metal detailing.

The real challenge was to create an architectural form that respects various factors at the same time, such the landmark position of the lighthouse at the entry of the city port, the materiality and aesthetics of the urban environment and the long history roots of the city and the port itself. Another challenge was to mange the height restrictions along with the need of an internal staircase and the aim of silhouette as slim and tall as possible.

Submitting to an international competition was a "test-drive" of an otherwise completed architectural proposal, with the purpose of getting an international feedback and point of view on a local project.

Designing and exposing to a broader audience an architectural project of public interest, re-confirmed the obvious: Public interest projects are always (and should be) a matter of public evaluation and critique.

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