PCC Design - Swe WingChew and Kong MeeChew tomonidan Chang An Temple Buddaviy Marifat Zali

PCC Design - Swe WingChew and Kong MeeChew tomonidan yaratilgan Chang An Temple Buddaviy Marifat Zali — Arxitektura, Bino va Inshoot Dizayni tanlov toifasida nufuzli 2021 A' Design Award Kumush Mukofoti mukofotining yuqori baholangan g'olibidir.

KumushArxitektura· 2021

Chang An Temple Buddaviy Marifat Zali

muallif: PCC Design - Swe WingChew and Kong MeeChew

Mijoz: PCC Sdn. Bhd

Arxitektura toifasida A' Design Award Kumush Mukofoti g'olibi

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Saytga tashrif A' Design Award saytida ko'rish Press-reliz Mukofot nishoni

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Dizayn

Chang An Temple Buddaviy Marifat Zali haqida

Ma'bad dizayni qadimiy sharq me'morchiligi kontseptsiyasiga asoslangan va zamonaviy me'moriy elementlar bilan birlashtirilgan. Bundan tashqari, asosiy ma'badning noyobligi kabi, landshaft me'morchiligi ham yaponcha qip-qizil ayvon va buddistik she'r kalligrafiyali naqshli toshlar mavjud bo'lgan Zen landshaft bog'i orqali yaratilgan. Shunday qilib, u zamonaviy davr va qadimiy sharq estetikasi uyg'unligini aks ettiradi.

Tan olinish

A' Design Award Kumush Mukofoti haqida

Chang An Temple Buddaviy Marifat Zali A' Design Award Kumush Mukofotining g‘olibi bo‘lib, bu go‘zal, ulug‘vor va ta’sirchan eng yuqori darajadagi dizaynlarga beriladigan favqulodda nufuzli e’tirofdir. Kumush g‘oliblari o‘z dizaynerlarining ajoyib mahorati, iste’dodi va o‘tkirligini ko‘rsatuvchi juda yorqin va o‘ta ijodiy asarlardir. Chang An Temple Buddaviy Marifat Zali ajoyib, namunaviy, diqqatga sazovor darajada kasbiy va chuqur innovatsion asar bo‘lishi kutiladi. A' Design Award Kumush Mukofotini qo‘lga kiritgan ushbu dizayn san’at, fan, dizayn va texnologiya chegaralarini kengaytiruvchi juda e’tiborga loyiq, tahsinga sazovor ixtirodir. Chang An Temple Buddaviy Marifat Zali ko‘pchilik havas qiladigan, istaklarni uyg‘otadigan, ijobiy tuyg‘ular olib keladigan hamda hayrat va ajablanish uyg‘otadigan ijoddir.

Dizayn ortida

Press-kit

Dizayner tomonidan taqdim etilgan kreditlar, jamoa a'zolari va texnik tafsilotlar.

Noyob xususiyatlar: The exterior design of the temple illustrates the richness of elements and characteristics of ancient oriental architecture.
Approximately one-third of the site was intentionally allocated for the vastly Zen garden's landscape, to lure the eyes with beautiful nature as a luxury and great sense of welcoming entrance. The frontage manmade lake was complemented with an outdoor gallery of Chinese calligraphy and Buddhism statue stones carving along the pedestrian path circling to evoke the scene of the modern era emerging with ancient oriental characteristics.
O'lchamlar va qadoqlash: The project is with a building scale of 20,440 Square meter and an Land area of 39,254.50 Square meter
Teglar: Oriental Architecture, Temple, Enlightenment Hall, Buddhism, Calligraphy, Nature
Ishlab chiqarish texnologiyasi: The site is situated in Malaysia, a hot-humid tropic country with high precipitation all over the year.
The construction structure is dominantly a reinforced concrete and masonry wall- sustainable and suitable for the hot tropic climate and minimal seismic zone.
Pitch roof and clay tiles are the most sustainable roof type to address the hot-humid and heavy rainfall.
The reflective pond surrounding the temple building footprint is another sustainable tool that acts as an air inter-cooler system, to reduce external air temperature before entering into the building and to reduce the dependency on the air-conditioner.
Dizayn muammosi: The challenging part of the building is the conversion of technology. The ancient oriental architecture is created through timber building structure, whereas the timber structure is not capable of to current era. Hence, the conversion of ancient timber structure into a concrete structure without losing any aesthetic feeling and actual proportion of ancient oriental architecture is our main challenges
Tadqiqot: Chinese calligraphy and Buddhism statue stones carving are essential in traditional Chinese architecture. They hold a high philosophical and historic value.

Those stones are introduced into the Zen garden landscapes as an outdoor gallery along the pedestrian path circling the lake - to complement the atmosphere towards the sense of oriental and its origin.

The interior design of the enlightenment hall is decorated with many of those stones at the columns, walls, and ceilings - to enrich the spiritual moods and to complement the purpose. In other words, it recreates a modern version of Mogao Cave temple in Dun Huang, China.
Ilhom: The inspiration for this theme of the design is through the Tang, Song, and Ming Dynasty architecture - emphasizing the traditional elements of details such a roof, screens, and sculptures into the modern touch to create a progressing architecture, Neo Oriental.
Traditional lanterns are significant ornaments in Chinese tradition that were being translated into the façade design as a Chinese screen with frosted glass backlight effects – to create a neo-oriental illuminated by the modern vibe.
Loyiha muddati: The project expected started in October 2020 Selangor, Malaysia and will finish in year 2022
Ish jarayoni: Besides the usage for Main Temple Hall, the building also takes the experience of visitors in the outdoor Buddhist calligraphy garden into account. The project is set up according to various functions, including a prayer hall, indoor and outdoor Buddhist cultural caligraphis museum, meditation, etc.
Jamoa a'zolari: Creative director: SW Chew, KM Chew
Design Assistant:Nor Azmi Bin Nor Saidon, Mohamad Hisamudin
Rasm mualliflari: All image credited by PCC Design Sdn. Bhd