Alexandr Strepetov کی طرف سے Kepler-186f میسجنگ کرسی

Alexandr Strepetov کا ڈیزائن Kepler-186f میسجنگ کرسی انتہائی معزز 2019 A' Design Award نقرئی انعام کا لطیف فنون اور آرٹ تنصیب ڈیزائن مقابلے کے زمرے میں ایک نہایت قابل قدر فاتح ہے۔

چاندیلطیف فن· 2019

Kepler-186f میسجنگ کرسی

از Alexandr Strepetov

کلائنٹ: Alexandr Strepetov

لطیف فن زمرے میں A' Design Award نقرئی انعام فاتح

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سائٹ دیکھیں A' Design Award پر دیکھیں پریس ریلیز ایوارڈ بیج

رنگ

ڈیزائن

Kepler-186f میسجنگ کرسی کے بارے میں

کیپلر - 186 ایف بازو کرسی کی ساختی بنیاد ایک پیسنا ہے ، جس میں فولاد کے تار سے سولڈرڈ ہوتا ہے جس میں بلوط سے کھدی ہوئی عناصر کو پیتل کی آستین کی مدد سے مضبوط کیا جاتا ہے۔ مصنوعی استعمال کے متعدد اختیارات لکڑی کے نقش و نگار اور زیورات کے عناصر کے ساتھ ہم آہنگ ہوتے ہیں۔ یہ آرٹ آبجیکٹ ایک ایسے تجربے کی نمائندگی کرتا ہے جس میں مختلف جمالیاتی اصولوں کو ملایا جاتا ہے۔ اسے "باربارک یا نیو باروک" قرار دیا جاسکتا ہے جس میں کھردری اور شاندار شکلیں مل جاتی ہیں۔ تعیationن سازی کے نتیجے میں ، کیپلر کثیر الجہتی ہو گیا ، ذیلی نکات اور نئی تفصیلات سے لپٹ گیا۔

اعزاز

A' Design Award نقرئی انعام کے بارے میں

Kepler-186f میسجنگ کرسی A' Design Award نقرئی انعام کا فاتح ہے، جو دلکش، عالی شان اور متاثر کن اعلیٰ ترین درجے کے ڈیزائنز کو دیا جانے والا غیر معمولی طور پر باوقار اعتراف ہے۔ نقرئی انعام کے فاتحین نہایت درخشاں اور بے حد تخلیقی کام ہیں جو اپنے ڈیزائنرز کی نمایاں مہارت، ہنر اور بصیرت کو ظاہر کرتے ہیں۔ Kepler-186f میسجنگ کرسی سے توقع کی جاتی ہے کہ وہ ایک شاندار، نمونہ بننے والا کام ہوگا جو قابل ذکر حد تک پیشہ ورانہ اور گہرائی سے جدید ہے۔ A' Design Award نقرئی انعام جیتنے والا یہ ڈیزائن ایک انتہائی قابل توجہ اور سراہی جانے والی ایجاد ہے جو فائدہ پہنچاتی اور فن، سائنس، ڈیزائن اور ٹیکنالوجی کی حدود کو آگے بڑھاتی ہے۔ Kepler-186f میسجنگ کرسی وہ تخلیق ہے جس پر بے حد رشک کیا جاتا ہے، جو خواہشات کو ابھارتی، مثبت احساسات لاتی اور حیرت اور تحیر کو جنم دیتی ہے۔

ڈیزائن کے پیچھے

پریس کٹ

ڈیزائنر کی فراہم کردہ کریڈٹس، ٹیم ممبران اور تکنیکی تفصیلات۔

منفرد خصوصیات: This is both a piece of furniture and a complex sculpture, the body of which combines natural forms and futuristic structures achieved with different manufacturing processes. Monolithic parts are synergistically combined with a naked skeleton structure, revealing the beauty of both the external and the interior parts that are usually hidden.
ابعاد اور پیکیجنگ: width 760mm. length 840mm. height 1070mm.
ٹیگز: Arm-chair, furniture, furniture design, author furniture, wood carving, sculpture, wire articles, metal construction
پیداواری ٹیکنالوجی: Structurally, the main part of the armchair consists from steel wire 2-3 mm in diameter, intersections of main wire wrapped with thinner wire and soldered with tin alloy. Attached to the wire carcass are wrought brass bushings that are soldered with silver. They hold decorative elements, along with armrests and legs, hand carved from solid oak and finished with variety of paints and lacquers. The wooden seat cover is stitched, designed to be easily removed, while material on the seat back is affixed.
ڈیزائن چیلنج: The improvisational nature of the project leads me to the experimentation. In the beginning I only had upper part of the chair in my mind. Therefore, I had to work on feet with chair being inverted, which initially seemed like an obstacle, but later it helped formed the end design. Absence of access to welding, led me to seek structural rigidity in woven construction techniques, in wire crossing and wire ties, which eventually opened my eyes to the beauty, strength and awe-inspiring opportunities that arose from seemingly simplistic solutions.

I work in a common workshop together with other artists. If I had opened to them my plan, I would risk losing such necessary courage and inspiration, and start doubting under the pressure of their reasoning. The fact that I put aside another almost ready to sell commercial object for the sake of the tin soldering of wire could look like madness for my colleagues. So, it was necessary to keep focus, communicating only through artwork. When a month later, one of the artists said that out of my design could come out interesting furniture, I was relieved and open to discuss.

Armchair in its current state is an art object, an artistic expression. To prepare mass production version, tin soldering needs to be replaced utilizing mini-modules or welding. As far as language shape expressed in wire it can be explored and there are endless derivates possible. Leather could be used in upholstery. Making ends of the feet from wire are more practical, however, it is possible to make them with arch-shaped openings. Using asymmetrical capital allows visual and structural combination not only with horizontal, but also with angled structural trusses.
تحقیق: Creative process was about using over exaggerated, over the top amount of details, to widen possibilities of technology and style used. It was an exploration of gracefully combining different materials. Also, I used some architectural ideas - inverted feet of the armchair remind columns made from rebar, topped with asymmetric monolithic capital. The airy nature and shape freedom allow multiple non-standard uses of Kepler language in construction design. It is clearly not a mass-produced item, but a conglomeration of ideas, based on which creation of simpler pieces is possible.
تحریک: This artwork was created as a part of bigger project where one idea was exploited indiverse methods. I was fascinated of developing single idea in various techniques and materials. Driven by this encouragement I have created experimental works, based on which later appeared wardrobe, table, and this armchair. Here you can see ornamentation inspired by plants (vine, twisting around armrest), as well as anthropomorphic and zoomorphic details, some even end up being a pregnant with creatures, like
پراجیکٹ کا دورانیہ: The article was started in the summer of 2017, completed in the fall of 2018, in Sankt Petersburg.
آپریشن کا بہاؤ: Kepler is not just ordinary piece of furniture, but an object of art with secret language. It can be interpreted as a piece from another world, created by alien mind. Sculpture reimagines geometrically plain and lifeless space as something cheerful and life-affirming. From the first sight it is obvious that elements were not created behind computer screen, but it was an organic process, almost like tree grows from the seed, or as if it separated from parental piece of furniture. Sculpture has hidden movement that makes you expect it to start walking, making it impossible to take picture of.
پیٹنٹس: n/a
تصویری کریڈٹس: Image #1: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #2: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #3: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #4: photographer Tanya Bogdanova, Kepler-186f, 2018.
Image #5: photographer Tanya Bogdanova, Kepler-186f, 2018.
Video Credits:cameraman Mikhail Mikhailuk