Eduardo Dulla tarapyndan Pass On Fotosuratlar Toplumy

Eduardo Dulla tarapyndan döredilen Pass On Fotosuratlar Toplumy dizaýny Fotosuratçylyk we Foto Işläp Bejerme Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçFotosuratçylyk· 2020

Pass On Fotosuratlar Toplumy

dizaýner: Eduardo Dulla

Müşderi: Eduardo Dulla

Fotosuratçylyk Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Pass On Fotosuratlar Toplumy hakynda

Pass On, çüýşäniň içine ýerleşdirilen hat şekiliniň daşyndan gurlan fotosuratlar toplumydyr. Her bir surat umyt ýa-da doganlyk ýaly bir söze ilhamlanyp döredilip, şol sözi öz manysy ýa-da hakyky bir waka arkaly beýan edýär. Hat, çüýşe we suw ýaly şol bir üç element her bir suratda görünýär, ýöne her bir tema başgaça çemeleşme bilen işlenilýär. Suratlar üçin ýörite dekorasiýalar, akwariumlar we aýratyn mehanizmler gurlupdyr. Sanly suratlar interferensiýa we şekil sintezini utgaşdyryp, pagta kagyzynda syýa çaplaýjy (inkjet) usuly bilen çap edilendir.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Pass On Fotosuratlar Toplumy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Pass On Fotosuratlar Toplumy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Pass On Fotosuratlar Toplumy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This photographic project seeks to present and represent "words" in a photograph, combining the literal and the subjective.
Ölçegler we Gaplama: digital photography, printed with inkjet on cotton paper the photographs have variable format, long side about 800mm
Bellikler: message in a bottle, photo digital, photo manipulation, mankind,
Önümçilik Tehnologiýasy: Photos made with Canon digital camera and lenses. In studio, lighting equipment from Broncolor, Elinchron, Arri and Dedolight was used. All photos of this series have interference and image fusion.
Dizaýn Kynçylygy: The same elements were used, message, bottle and water in all images but the themes were treated differently, make viable the means of production and adapted to the meaning or inspiring event of the photo.
Gözleg: Each photo in this series is inspired by a word and, to represent it, has been chosen, an event or its own meaning.
Books, movies, newspaper news, served as a reference for the realization of this project.
Then the idealization of the image, the roughs in drawings and from there the effective and specific production for each photo.
Experiments were performed, set designs were built, special aquariums were set up, specific mechanisms were created for these photos.
Ylham: The initial idea of this series of photographs is the story about the isolated castaway throwing overboard its perhaps ultimate distress call.
Despair? It can be considered one of the greatest displays of hope possible.
The photos of the messages on the bottles were inspired by their very meaning or a specific event such as "Same Blood" for terrorist attacks in Paris; "Reverse of Courage" for the terrible disasters in Mariana and Brumadinho.
Taslama Dowamlylygy: The project started in July 2017 and is yet in progress.
Iş Akymy: The photos were taken with the intention of proposing reflection on our attitudes towards the message written inside the bottle, questioning whether these messages are really important and worth sharing.
Topar Agzalary: Collaborator and set designer:Regiane Mancini.
Collaborator:Judite Scholz.
photography assistant:Tiago Matos.
image handling and manipulation: Adilson Tucão.
image handling and manipulation: Jujuba Digital.
Surat Awtorlary: all photos Eduardo Dulla