Li Xinlin tarapyndan Kinetic Chinese Characters Kinetik Tipografiýa

Li Xinlin tarapyndan döredilen Kinetic Chinese Characters Kinetik Tipografiýa dizaýny Generatiw, Algoritmik, Parametrik we AI Goldawly Dizaýn Bäsleşik Kategoriýasynda 2020 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirGeneratiw· 2020

Kinetic Chinese Characters Kinetik Tipografiýa

dizaýner: Li Xinlin

Müşderi: Li Xinlin

Generatiw Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#96658 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Kinetic Chinese Characters Kinetik Tipografiýa hakynda

Kinetiki Hytaý Ýazgylary - hytaý ýazuw belgileriniň bölekleri esasynda döredilen on alty kinetiki tipografiýa eserinden ybarat toplumdyr. Her bir eseriň öz mowzugy bar we olar diňe Processing ulanylyp, kompýuter programmirlemesi we algoritmleri arkaly döredilýär. Generatiw tehnologiýanyň goşulmagy ozal berk bellenen belgileriň wagt çyzygyny üýtgäp bilýän we netijeleri öňünden çaklap bolmajak ýagdaýa getirýär. Her bir esere, Aziýa däbine eýerip, şygryýet bilen suraty bilelikde görkezýän gysga bahalandyryş makalasy goşulýar. Bu toplum kinetiki dizaýnyň hytaý ýazgylaryna nähili ulanylyp bilinjekdigini görkezýär.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Kinetic Chinese Characters Kinetik Tipografiýa A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Kinetic Chinese Characters Kinetik Tipografiýa uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Kinetic Chinese Characters Kinetik Tipografiýa jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Ölçegler we Gaplama: Media & Print matter
Bellikler: Kinetic , Typography , Generative , Chinese Characters
Önümçilik Tehnologiýasy: Processing and based on openprocessing.org
Dizaýn Kynçylygy: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Gözleg: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Ylham: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Taslama Dowamlylygy: 2019, College of Fine Arts, Seoul National University.
Iş Akymy: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Patentler: LI XINLIN
Topar Agzalary: LI XINLIN
Surat Awtorlary: LI XINLIN