Zhulin Shi tarapyndan Sense Move Esasy Wezipesi: Tans Egin-eşigi

Zhulin Shi tarapyndan döredilen Sense Move Esasy Wezipesi: Tans Egin-eşigi dizaýny Moda, Egin-eşik we Geýim Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşModa· 2020

Sense Move Esasy Wezipesi: Tans Egin-eşigi

dizaýner: Zhulin Shi

Müşderi: Last Lab Inc.

Moda Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

37,486

Tassyklanan Baýrak Ýeňijisi

#90799 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Sense Move Esasy Wezipesi: Tans Egin-eşigi hakynda

Sense Move — tansçylar üçin niýetlenen ýagty saçýan egin-eşikdir. Egin-eşik bedeniň hereketine eýerýän geometrik şekillere epilýär we sahnada kinetik heýkeltaraşlyk emele getirýär. Ýagtylyk täsirleri üýtgeýän duýgulary aňladýar. Haýal öçüp-ýanmak dem alşy, ýalpyldy bolsa tolgunmany aňladýar. Egin-eşigiň bir bölegi hökmünde duýujy ellik hem goşulýar. Tomaşaçylaryň biri tansçynyň eline degeninde, ýagtylyk şol degme jogap hökmünde üýtgeýär. Bu dizaýn ýerine ýetirijiler bilen tomaşaçylaryň arasyndaky duýgusal baglanyşygy güýçlendirmegi maksat edinýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Sense Move Esasy Wezipesi: Tans Egin-eşigi A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Sense Move Esasy Wezipesi: Tans Egin-eşigi ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Sense Move Esasy Wezipesi: Tans Egin-eşigi köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Ölçegler we Gaplama: Width 70mm x Depth 30mm x Height 150mm
Bellikler: wearable technology, led lighting costume, kinetic sculpture
Önümçilik Tehnologiýasy: In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Dizaýn Kynçylygy: The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Gözleg: I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Ylham: With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Taslama Dowamlylygy: The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Iş Akymy: The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Surat Awtorlary: Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou