Yi Hsuan Lee tarapyndan Prologue in Ink Ýaşaýyş Jaýynyň Içerki Dizaýny

Yi Hsuan Lee tarapyndan döredilen Prologue in Ink Ýaşaýyş Jaýynyň Içerki Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2026

Prologue in Ink Ýaşaýyş Jaýynyň Içerki Dizaýny

dizaýner: Yi Hsuan Lee

Müşderi: Yan Design

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#182055 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Prologue in Ink Ýaşaýyş Jaýynyň Içerki Dizaýny hakynda

Prologue in Ink — belent binanyň on altynjy gatynda ýerleşýän 132,2 inedördül metrlik kwartira üçin ýaşaýyş içerki dizaýnydyr. Reňk sazlaşygy, tebigy damarlary görünýän syýa reňkli agaç şponuna esaslanyp, daş, titan, aýna we deri bilen utgaşdyrylýar. Telewizoryň esasy diwary daş bilen metal bezegleriniň gatlaklaryndan ybarat bolup, iş otagynyň diwary bolsa garaňky tekjeleri açyk reňkli panelller bilen jübütleýär. Açyk iş otagy myhman otagy bilen birleşip, ýaşaýyş, iş, naharhana we aşhana zolaklaryny baglanyşdyrýan üznüksiz ok emele getirýär. Çyzykly we gytaklaýyn yşyklandyryş gyralary kesgitleýär we garaňky reňkleri ýumşadýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Prologue in Ink Ýaşaýyş Jaýynyň Içerki Dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Prologue in Ink Ýaşaýyş Jaýynyň Içerki Dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Prologue in Ink Ýaşaýyş Jaýynyň Içerki Dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The home's personality is embodied in the TV feature wall and open study backdrop. The TV wall combines bold stone with titanium, glass, and leather, creating a layered, sleek facade. The study wall pairs dark display shelving with light panels, balancing rationality and curiosity. Linear lighting highlights edges, while a minimalist ceiling with grooves and negative space emphasizes the walls’ presence, giving the space refined order and dimensional focus.
Ölçegler we Gaplama: The 132.2 m2 16th-floor residence integrates social areas for fluid daily use. The open study connects to the living room, creating shared zones for work, reading, and interaction. Expanded kitchen storage and prep areas form a continuous axis linking living, study, dining, and kitchen spaces. The layout balances solitude and interaction, achieving both practical usability and visual refinement.
Bellikler: Dark Tone, Material Contrast, Open Study, Modern Design, Smart Home, Cool Tone, Eco-Friendly Materials
Önümçilik Tehnologiýasy: The palette centers on ink-toned wood veneer, preserving natural grain to reveal layered depth under reflected light. Stone, titanium, glass, and leather add material complexity, while selective warmer tones and bright finishes balance cooler hues. Linear and indirect lighting subtly defines boundaries, creating gentle grayscale transitions. The resulting interior feels composed, intellectual, and restrained, projecting refinement without coldness.
Dizaýn Kynçylygy: Construction focused on precise interface integration and tolerance control. The TV wall demanded coordination of heavy stone, structural supports, and AV systems, balancing aesthetics, safety, and function. Study sliding cabinetry required meticulous hardware and panel alignment for a seamless façade. Flooring was corrected on-site to match the intended tone and texture, ensuring the ground plane reinforced the designed spatial atmosphere.
Gözleg: The 132.2 m2 residence uses 'ink' as a thematic framework, combining deep wood, stone, metal, glass, and leather to filter visual noise and clarify spatial order. The living room integrates an open study for reading, work, and social interaction along a shared axis, while kitchen storage and prep are optimized. Linear lighting layers dark tones, balancing refinement and warmth. 'Ink' grounds the space, 'prologue' organizes it, and daily life becomes its expressive language.
Ylham: 'Prologue in Ink,' a 132.2 m2 high-rise residence, uses 'ink' as a design foundation, guiding materials, light, and lines with disciplined order. Daylight illuminates deep wood veneer and stone textures forming the structural framework, while metal, glass, and leather provide refined accents. The design achieves composure and gravitas, creating a space that feels present and elegant without heaviness, balancing material richness with everyday livability.
Taslama Dowamlylygy: The project finished in June 2023 in Taiwan.
Iş Akymy: Occupants' feedback most clearly emphasizes flexibility. The ink-toned environment does not feel rigid or cold. Instead, through calibrated material warmth and layered light transitions, it overturns conventional perceptions of dark interiors. In daily life, the social area can shift between calm and lively states. Whether reading alone, hosting friends, or simply reclining on the sofa, the atmosphere adapts naturally. The space maintains quality and composure without feeling formal. It understands how to allow life to enter.
Topar Agzalary: Wei-Hsuan Chan
Surat Awtorlary: Yan Design