Attiq Ahmed tarapyndan Artemis Pol çyrasy

Attiq Ahmed tarapyndan döredilen Artemis Pol çyrasy dizaýny Yşyklandyryş Önümleri we Armaturalary Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirYşyklandyryş· 2026

Artemis Pol çyrasy

dizaýner: Attiq Ahmed

Müşderi: Turning Tables

Yşyklandyryş Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#179278 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Artemis Pol çyrasy hakynda

Artemis ýakylan agaçdan we metaldan ýasalan pol çyrasydyr. Çyra durnuklylyk üçin agyrlaşdyrylan esasdan dikligine bölümlere bölünen görnüşde ýokary galýar. Kömürleşdirilen agaç örtügi Shou Sugi Ban ýakma usuly bilen öndürilýär, bu usul çydamlylygy ýokarlandyrýar we materialyň süýümini hem-de çuňlugyny ýüze çykarýar. Üç ýaprak görnüşli abažur ýagtylygy deň derejede ýaýradýar, çyra bolsa ýönekeý açma-ýapma wyklýuçateli arkaly dolandyrylýar. Onuň görnüşi Mogol binagärliginde gümmezleriň depesini bezeýän uçlardan ylham alnandyr. Çyranyň beýikligi 72 dýuým, diametri bolsa 22 dýuýma deňdir.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Artemis Pol çyrasy A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Artemis Pol çyrasy uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Artemis Pol çyrasy jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Artemis Floor Lamp is a sculptural lighting piece crafted from burnt wood and metal, defined by a vertically articulated form and a weighted, grounded base. The charred wood finish enhances durability while revealing material depth and texture. A trileaf-shaped lampshade softens and diffuses light evenly, while the restrained geometry balances craft and precision, allowing the lamp to function as both an ambient light source and a standalone object of design integrity.
Ölçegler we Gaplama: Height 72”
Diameter 22”
Bellikler: Artemis, burntwood, charred wood, Shisham, floor lamp, Sculptural lighting, Craft As Inquiry, Material poetry, contemporary craft, Pakistani design, modern craft, design as process, hand made design
Önümçilik Tehnologiýasy: Materials:
Indian Rose Wood
Metal
Techniques:
Wood lathe turning
Shou Sugi Ban (Japanese wood burning)
Dizaýn Kynçylygy: The primary challenge was achieving a precise balance between proportion and stability within a slender vertical form. Referencing historical Mughal finials required careful scaling to avoid literal replication while maintaining visual hierarchy. Structurally, the lamp demanded a weighted base and refined transitions to ensure stability without compromising elegance, requiring multiple iterations to align form, balance, and functional performance.
Gözleg: The research was exploratory and practice-based, aiming to translate architectural heritage into a functional object. The objective was to study proportion, balance, and symbolic form. The methodology involved visual study, sketching, and material trials. Tools included drawings, scale mock-ups, and prototypes. The process was designer-led. Results refined stability and form. Insights showed heritage can inform contemporary design, impacting craft practice and product identity.
Ylham: The design draws inspiration from Mughal architecture, specifically the finials crowning domes, studied for their proportions, vertical hierarchy, and symbolic grounding. The project translates these historic forms into a contemporary object through material experimentation with burnt wood and metal, using controlled charring to enhance durability while retaining a clear architectural lineage and crafted precision.
Taslama Dowamlylygy: The project commenced in September 2025 and progressed through both design development and fabrication over an estimated period of 20–24 days. Fabrication was completed in October 2025, culminating in a fully realized prototype that reflects the intended design intent and material exploration
Iş Akymy: The lamp is operated by a simple on-off switch, allowing light to gently diffuse through the shade while the sculpted base remains visually stable. Its tall, balanced form guides the eye upward, creating a calm presence in a room. The layered base ensures stability, while the dark finish reduces visual clutter, helping the light feel warmer and more focused in everyday use.
Surat Awtorlary: Muhammad Ibrahim Butt