Meng Zhao tarapyndan döredilen Near Figure Muzeý dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçBinagärlik· 2026

Near Figure Muzeý

dizaýner: Meng Zhao

Binagärlik Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Reňkler

Dizaýn

Near Figure Muzeý hakynda

Near Figure Finlýandiýanyň Helsinki şäheri üçin taslanan muzeýdir. Bina tanalýan we tanalmaýan görnüşleriň arasyndaky ýagdaýy öwrenýär. Şekiller maksatlylyk duýgusyny berýär, emma doly aýdyň bolman galýar, şonuň üçin okalyp bilinmeklik myhmanlar giňişliklerden geçdikçe kem-kemden ýüze çykýar. Iki sany aýratyn hereket ýoly binagärlik görnüşiniň üýtgemeleri arkaly biri-birine örülendir. Muzeýde açyk galereýalar, sergi zallary, kafe, daşarky platformalar we işjeňlik meýdançalary ýerleşýär. Ýaşyl beton we gaýtadan işlenen agaç ýylylyk izolýasiýasyny gowulandyrýar we uglerod zyňyndylaryny azaldýar. Umumy meýdany 6400 inedördül metrdir.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Near Figure Muzeý A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Near Figure Muzeý uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Near Figure Muzeý zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The Museum in Finland explores the concept of "Near Figure" in architecture, an idea that engages with the critical state between identifiable and unidentifiable forms. This project delves into the tension of architectural progression, capturing a transitional phase where space and form exist in a state of both static and dynamic potential. Through this exploration, the museum represents an evolving symbol of the future of architectural trends.
Ölçegler we Gaplama: Gross floor area: 6400 square meters Project type: Museum, Exhibits, Pavilions
Bellikler: Museum, Near Figure, Exhibition, Helsinki, Finland, monumental building, city landmark, public space
Önümçilik Tehnologiýasy: The material choice of concrete plays a central role. Its malleability offers the flexibility to express the tension between clarity and abstraction, making it an ideal medium to embody the critical state of architectural form. Concrete allows for the fluidity of shape transitions, highlighting the project's exploration of thresholds and the notion of purpose in design. The combination of recycled wood with green concrete improve the building's insulation and effectively reduces carbon emissions
Dizaýn Kynçylygy: The biggest challenge is exploring the meaning in Architecture. The project invested the big shape/form/figure with an air of purposefulness and will. Since modernism as a global hegemonic attitude was shaken and then definitively overcome by the forces of pomo and decon and the digital revolution, there has been a crisis in the belief that questions such as: How does architecture communicate? What is legible? The notion that meaning is possible or desirable in architecture has been challenged.
Gözleg: The punchline to the project is something called a "near figure." Something with a shape, form or figure that conveys an uncanny sense of purpose, but is unable to be satisfactorily resolved into anything identifiable that could become singular and ultimately repressive. Trying to catch the sense of Progressiveness from mathematic geometry-cube. A series of transformation help to discover the threshold of Progressiveness of Legibility. Figure out the minimal and maximum transition of near figure
Ylham: The "Near Figure" concept, where shapes and forms convey a sense of purpose but are deliberately left in a state that resists complete resolution. This ambiguity allows for a new type of legibility-one that emerges gradually as the viewer engages with the structure. Through the concept, the museum pushes the boundaries of contemporary architecture. It symbolizes a shift in architectural thinking towards a more conceptual, evolving expressions of purpose and identity in architecture.
Taslama Dowamlylygy: The project located in Helsinki Finland
Iş Akymy: Two independent and directionally distinct circulation paths are interwoven through the transformation of the architectural form. The building's primary functions include open galleries, exhibition halls, cafe, exterior platforms, and activity areas. Within the public spaces, formal variations and deformations create enclosed functional zones such as offices, kitchen, private dining rooms, lounges, and intimate exhibition rooms.
Surat Awtorlary: Designer: Meng Zhao Graphic: Meng Zhao