Seyedjalil Mousavi tarapyndan Outside In Öý

Seyedjalil Mousavi tarapyndan döredilen Outside In Öý dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçBinagärlik· 2025

Outside In Öý

dizaýner: Seyedjalil Mousavi

Müşderi: Moradi Family

Binagärlik Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

9,885

Tassyklanan Baýrak Ýeňijisi

#171962 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Outside In Öý hakynda

Outside In - bu öýdür, ol asyrlaryň dowamynda ulanylan yran howlusynyň däbini häzirki zaman şäher durmuşy üçin täzeden many berýär. 220 inedördül metr meýdanda gurlan bu üç gatly öý, ösümlikler bilen gurşalan merkezi aýna kub daşyndan gurnalandyr, ol ýylyň dowamynda ýaşaýyş meýdany hökmünde hyzmat edýär. Howly wertikal we horizontal ugurlarda giňelip, gatlary dupleks ýerleşişde birleşdirýär. Fasad Abbas Abad daşy bilen örtülen, pol mermerden, gapylar tebigy agaçdan ýasalan, termiki üzülişli äpişgeler bolsa energiýa tygşytlylygyny üpjün edýär. Ýerleşiş çözgüdi kompakt öýde gün şöhlesini we ýelejiredişi gowulandyrýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Outside In Öý A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Outside In Öý uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Outside In Öý zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The project reimagines the traditional Iranian courtyard in modern architecture, focusing on livability and connection to open spaces. On a 220 sqm plot with urban constraints, the design integrates a central glass cube surrounded by greenery, serving as a year-round living space. The yard extends vertically and horizontally, linking floors and incorporating a duplex layout. This Outside in approach revitalizes the courtyard as a central functional element in compact urban homes.
Ölçegler we Gaplama: This 23,000 mm deep, 10,000 mm wide, and 14,200 mm high house spans three floors above the ground level. Occupying 230 square meters, 70percent of the space is dedicated to the building's volume, while the remaining area integrates a yard that seamlessly extends throughout the entire project, blending indoor and outdoor spaces harmoniously.
Bellikler: Architecture, House, MAoffice, Courtyard Revival, Indoor-Outdoor Integration, Livable Courtyard, Outside-In House,
Önümçilik Tehnologiýasy: The project features natural and durable materials, blending tradition with modernity. The facade is clad in Abbas Abad Stone, while Marble Stone flooring adds elegance. Natural wood doors provide warmth, and thermal break windows ensure energy efficiency, combining aesthetic appeal with functional sustainability.
Dizaýn Kynçylygy: This project redefines the traditional Iranian courtyard as a functional, year-round living space in modern urban homes. Using a central glass cube surrounded by greenery, it blends indoor and outdoor areas while maximizing natural light and ventilation. The design extends the courtyard vertically and horizontally, creating an open, interconnected layout. By reviving the courtyard’s role as a dynamic core, the project merges tradition with contemporary needs, improving functionality, aesthetics, and nature integration in compact urban living.
Gözleg: The research for this project focused on the historical context of houses in Hamedan, Iran, alongside the specific needs of the owners and the site conditions. As the design falls within the architectural category, it prioritized practical and contextual insights over formal academic research, ensuring a tailored and culturally resonant approach.
Ylham: The design inspiration stems from redefining the traditional Iranian courtyard as a central livable space in modern urban homes. Facing constraints like limited land and urban requirements, the project integrates a central glass cube surrounded by greenery, blending indoor and outdoor spaces. This Outside in approach revitalizes the courtyard, making it a functional, year-round living area while maintaining connection to nature and the sky.
Taslama Dowamlylygy: This project spanned nearly two years, commencing in early 2020 and concluding in mid-2022. The design phase began in March 2020, with construction starting in September 2020. The final touches were completed by June 2022, marking the end of a meticulous process that balanced historical inspiration, client needs, and innovative architectural solutions.
Iş Akymy: This project operates by redefining the traditional courtyard as a dynamic, multi-functional space. It transforms through a central glass cube surrounded by greenery, connecting indoor and outdoor areas vertically and horizontally. Interaction is enhanced by seamless transitions between floors, courtyards, and living spaces. Key frames include the glass cube, central void, and green walls, which optimize light, ventilation, and year-round usability. By integrating nature and modern design, it achieves better functionality, livability, and energy efficiency, outperforming conventional layouts through its innovative Outside in approach.
Topar Agzalary: Seyed Jalil Mousavi
Akam Katoorani
Sepehr Edalati Morafah
Atefe Safakish
Alireza Moradi Meshkin
Surat Awtorlary: All design credits for this project belong to MA office, where our team crafted the concept and execution. photographs capturing the essence of the design are credited to the Mohammad Hassan Ettefagh.