Timea Andorka tarapyndan The Galimberti Sergi katalogy

Timea Andorka tarapyndan döredilen The Galimberti Sergi katalogy dizaýny Çap we Neşir Mediýa Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirÇap· 2025

The Galimberti Sergi katalogy

dizaýner: Timea Andorka

Müşderi: Timea Andorka

Çap Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Dizaýn

The Galimberti Sergi katalogy hakynda

Sergi katalogynyň grafiki dünýäsi 1915-nji ýylda ýaş wagtynda aradan çykan suratkeş är-aýalyň (Waleriýa Denes we Sandor Galimberti) içjeň baglanyşan durmuşlaryndan ylham aldy. Tipografiýada aýratyn ligaturalaryň ulanylmagy bu tragiki är-aýalyň işini umumy döredijiliğe öwüren güýçli ynsany baglanyşygy inçeden görkezýär. Kitap iňlis we wenger dillerinde iki aýry jiltde neşir edildi. Mata bilen örtülen gapaklar plakat görnüşine açylyp bilinýän gorag gaby bilen goralýar, wenger neşirinde Waleriýa Denesiň, iňlis neşirinde bolsa Sandor Galimbertiniň suraty berilýär.

Ykrar etme

A' Design Award Demir Baýragy hakynda

The Galimberti Sergi katalogy A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. The Galimberti Sergi katalogy uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. The Galimberti Sergi katalogy jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The graphic world of the catalogue was inspired by the closely intertwined lives of the painting couple (Valéria Dénes & Sándor Galimberti) who died young in 1915. The use of individual ligatures in the typography subtly illustrates the strong human connection that made the work of this tragic couple a shared oeuvre.
The oeuvre is largely lost, which is why no such comprehensive catalogue has been produced until now. The graphic challenge was to present this fragmentary oeuvre in a dignified and monumental way.
Ölçegler we Gaplama: 230 × 290mm, 372 pages, hardcover book, cloth covered, gold foil stamped, with dust jacket
Bellikler: book, catalogue, exhibition, editorial design, paintings, blue, gold, fine art,
Önümçilik Tehnologiýasy: The book was published in two separate volumes, in English and Hungarian. We chose a linen binding because both painters preferred this type of canvas, which has a finer weave. The cloth-bound covers are protected by a dust jacket that can be opened into a poster, the Hungarian edition featuring a painting by Dénes Valéria, the English edition by Sándor Galimberti. Only the name is stamped on the blue canvas with gold foil, so that this simplicity highlights the colourful and exciting details of the paintings on the dust jacket.
Dizaýn Kynçylygy: To express the close relationship between the two painters, we searched for months for the perfect serif font, which has enough ligature. We couldn't find one, so I created our own set of ligatures for the catalogue, based on the Modelista font.
Gözleg: Often, even contemporaries could not tell which of the two painters painted which painting. Today's scientific research, led by curator Gergely Barki, has sought to unravel the differences and to place the two painters in the Hungarian and international canon in the context of a lifetime exhibition. The result of this research is the catalogue, which presents even richer research material than the exhibition in the Hungarian National Gallery.
Ylham: “These two people were like two tall, slender trees, growing up straight side by side, without bowing to each other, without depriving each other of sunlight.” (Jolán Simon)
Taslama Dowamlylygy: THE GALIMBERTI. The Lives and Works of Sándor Galimberti (1883–1915) and Valéria Dénes (1877–1915) exhibition
10 October 2024 – 23 February 2025, Hungarian National Gallery, Budapest
Iş Akymy: We wanted to please visitors with a removable poster of the book. So that they could take home reproductions of the most important paintings at a larger scale than the book, in almost original aspect ratio.
Patentler: graphic design © Timea Andorka, 2024
text © Gergely Barki, 2024
© Museum of Fine Arts – Hungarian National Gallery, Budapest, 2024
Topar Agzalary: graphic design: Timea Andorka