Aciole Felix tarapyndan döredilen Selena Oturgyç dizaýny Mebel Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.
KümüşMebel· 2025
Selena Oturgyç
dizaýner: Aciole Felix
Müşderi: Morada Decor
Mebel Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi
Tassyklanan Baýrak Ýeňijisi
#161889 üçin Baýrak Ýagdaýyny BarlaňDizaýn
Selena Oturgyç hakynda
Selena Jequitiba agajyndan we tebigy samandan ýasalan oturgyçdyr. Çarçuwa jikme-jik CNC işläp bejermek arkaly şekillendirilýär, bu bolsa görünýän birleşme ýerleri bolmadyk tekiz we üznüksiz ýüzleri döredýär. Elde ýerine ýetirilýän ussaçylyk işi ýygnamagy we samanyň berkidilmegini tamamlaýar. Saman arkalykdan oturgyja çenli uzalyp, monolit göwrüme wizual ýeňillik goşýan üznüksiz elementi emele getirýär. Daşky gurşawa täsiri azaltmak üçin suw esasly örtük ulanylýar. Selena minimalistik daş keşbi nesillere hyzmat etmek üçin niýetlenen berk gurluş bilen birleşdirýär.
Ykrar etme
A' Design Award Kümüş Baýragy hakynda
Selena Oturgyç A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Selena Oturgyç ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Selena Oturgyç köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.
Dizaýnyň sahna arkasy
Metbugat toplumy
Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.
- Üýtgeşik Aýratynlyklar
- Selena was designed with the aim of having a light and minimalist look. It represents a little of what we tried to convey with these innovative surfaces and transitions, resulting in the smooth shapes of a resistant and durable chair. The continuity of the straw produces a minimalist effect, and the transparency of this material generates lightness in a monolithic volume. The chair is a tactile object, to understand its complexity it is necessary to feel each transition, fit and surface.
- Ölçegler we Gaplama
- Width 0.560 mm
Depth 0.600 mm
Height 0.840 mm - Bellikler
- minimalist design, cnc machining, jequitiba wood, portuguese straw, form and function, contemporary design, sustainable design
- Önümçilik Tehnologiýasy
- A project focused on detailed cnc programming. Added to artisanal processes that require a lot of experience and care, in the use of organic materials, such as Jequitibá wood, and natural straw.
It highlights the resistance created in the machining processes, generating precision in assembly. And its water-based finish guarantees lower environmental impact. This makes the product durable and sustainable, thinking about pieces that will be used for generations. - Dizaýn Kynçylygy
- Search for fluid surfaces, without encounters, without visible obstacles, the process of fixing the natural straw, to form the smooth piece, search for exclusive tools and solutions with partners, was a great and time-consuming challenge, but delivered an exceptional result. Furthermore, it increased our creative repertoire.
The challenge was to make an aesthetically minimalist chair, which at the same time was structurally robust, and with this appearance was ergonomically attractive. - Gözleg
- The research into the design of the brief showed us that the natural puts us in a very positive way, in tune with our ancestry, awakening intrinsic sensations that welcome us, influencing human well-being, which is why the final objective of the project was to deliver a contemporary product , made with natural materials and organic shapes.
There was also a great effort in researching technology and tools that could execute according to the project. - Ylham
- In-depth CNC machining techniques were essential to define the shape of the chair, this was exploited to the maximum.
The search for fluid and smooth surfaces, characteristics that make the piece so interesting, and that hide the formal complexity, with different visual elements.
Also the natural straw, starting at the back, moving towards the seat, generates a continuous element of visual lightness and the impression that the chair does not have many stops, making the product even more fluid. - Taslama Dowamlylygy
- The project began in Lagoa Vermelha, Rio Grande do Sul, Brazil on April 2, 2023 and ended in March 2024.
- Iş Akymy
- The natural straw in the seat initially creates hesitation, and the feeling when sitting is one of surprise, comfort and security.
Designed with an organic shape and fluid lines, at the same time complex and intriguing, it becomes a product that also appeals to the sense of touch, going beyond ergonomics and visuals, interacting with human curiosity.
Visually light in a product with materials as noble and known for their robustness as wood, this product conveys softness and elegance. - Topar Agzalary
- Design - Aciole Felix
Prototyping - Eduardo Bossardi
Approval - Rafael Schmidt
Search - Juliano Schmidt - Surat Awtorlary
- Pherphoto fotografias
Hemaýatçy
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