Shigetaka Mochizuki tarapyndan Hoshino Jinja Ybadathana

Shigetaka Mochizuki tarapyndan döredilen Hoshino Jinja Ybadathana dizaýny Medeni Miras we Medeniýet Senagaty Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşMedeni Miras· 2024

Hoshino Jinja Ybadathana

dizaýner: Shigetaka Mochizuki

Müşderi: Mochizuki Corporation

Medeni Miras Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Hoshino Jinja Ybadathana hakynda

Bu köne we täze tehnologiýalary birleşdirýän täzeçil çemeleşmedir, meselem, hiç hili metal birikdiriji bölekleri ulanmaýan adaty ýapon gurluşyk usuly, Işiba gurluşygy we häzirki zaman gurluş derňewine esaslanýan çäk berkligi hasaplamasy. Gorizontal we wertikal çyzyklary öz içine alýan dizaýn ýokary estetiki aýratynlyga eýe bolup, özboluşly ýapon gözellik duýgusyna esaslanýan özüne çekiji gurluş gözelliği hökmünde häsiýetlendirilýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Hoshino Jinja Ybadathana A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Hoshino Jinja Ybadathana ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Hoshino Jinja Ybadathana köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Ölçegler we Gaplama: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Bellikler: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Önümçilik Tehnologiýasy: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Dizaýn Kynçylygy: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Gözleg: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Ylham: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Taslama Dowamlylygy: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Iş Akymy: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Surat Awtorlary: Photographer, Yasuo Hagiwara