Hiroaki Iwasa tarapyndan Tsukiji Sushiiwa Tsukijiten Suşi Restorany

Hiroaki Iwasa tarapyndan döredilen Tsukiji Sushiiwa Tsukijiten Suşi Restorany dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirIçki Bezeg· 2024

Tsukiji Sushiiwa Tsukijiten Suşi Restorany

dizaýner: Hiroaki Iwasa

Müşderi: Tsukiji Sushiiwa Tsukijiten

Içki Bezeg Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Tsukiji Sushiiwa Tsukijiten Suşi Restorany hakynda

Tsukiji Sushiiwa Tsukijiten Tokionyň Tsukiji şäherinde, öňki merkezi balyk bazarynyň golaýynda dizaýn edildi. Suşi häzirki wagtda bütin dünýäde tanalýan aşhana bolany üçin, bu taslamanyň maksady geljege geçip bilinjek kämilleşdirilen giňişligi döretmekdi, bu ýerde adamlar aşpezin däp-dessurlaryndan we Edomae suşisiniň edep-tertibinden lezzet alyp bilerler. Edomae suşisiniň ähmiýeti aşpez tarapyndan minimal el işi arkaly täze deňiz önümleriniň mümkinçiligini iň ýokary derejede artdyrmakdyr. Şonuň üçin suşi stoluna ünsi jemlendi, şeýlelikde täze deňiz önümleri we aşpezin ukyplary öňe çykar.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Tsukiji Sushiiwa Tsukijiten Suşi Restorany A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Tsukiji Sushiiwa Tsukijiten Suşi Restorany uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Tsukiji Sushiiwa Tsukijiten Suşi Restorany jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Since sushi is now a days known as a world wide cuisine, his main goal was to design the restaurant to become the base for authentic Edomae sushi culture. The essence of Edomae sushi is to maximize the potential of fresh seafood through minimal hand work by the chef. Therefore,He focused on designingthe the sushi counter, so that the fresh seafood and chef's skills will stand out.In addition,He also designed tatami rooms that canaccommodate group gatheringdiningsas well.
Ölçegler we Gaplama: specification,
Total floor area:254.5m2,
Sushi counter: 14 seats,
Large tatami room: 18 seats,
Small tatami room: 6 seats,
Floor seating space: 18 seats,
Table space: 14 seats,
Kitchen, men's and women's toilets, storage.
Bellikler: Sushi restaurant, Sushi counter, Tatami sheats, Japanese restaurant
Önümçilik Tehnologiýasy: Based on the detailed design, He utilized an excellent network of constructers. A precious wood craftsman who handles the distribution and processing of the massive Hinoki(Japanese cypress),a plasterer who has a high level of skill for each part, a mason who finishes the material uniquely,and a craftsman with the skills to handle and paste handmade Japanese paper. The project was successfully completed by gathering many highly skilled craftsmen and their extraordinary techniques.
Dizaýn Kynçylygy: The challenge was to refine the immersivity of the traditional sushi and to design it in such large space.Especially at the sushi counter, He adjusted the height of the floor so that the customers and chef can share a similar view, setting each counter to suit the purpose. Furthermore, to reduce noise in the customer's view, a frameless glass showcase made of highly transparent glass was half-embedded in the counter. This restaurant was designed with such details in consideration.
Gözleg: In order to design the optimal interactive environment between customers and the sushi, He conducted research and repeated prototypes to understand and refine the relationship between the customers and the chef at the sushi counter space.In particular, He researched the visibility and dimensions, such as the height gap of the viewpoint between seated customers and standing chef. Also, He thoroughly looked into the chef's behavior and also the size of glass showcases and where to place them.
Ylham: The goal of this project was to design a sophisticated space which can be passed on to the future, a place where people can enjoy chef's traditional skills and sushi etiquette of Edomae sushi, one of the roots of sushi culture. In order to achieve that goal, Hiroaki Iwasa was inspired by researching the basic behavior and preparations of chef, relationships with customers, meal etiquette, modern services and backyards.
Taslama Dowamlylygy: Design began in April 2006, construction began in January 2007, and was completed in May 2007 in Tsukiji Tokyo, neighbor of former central fish market.
Iş Akymy: Customers come for chef’s skilled dishes, high-quality ingredients,and a space where they can enjoy them.Especially atthe sushi counter, instead of choosing from the menu,customers can choose fromthe seasonal seafoodin front of them, interacting with the chef to customize adish.Sushi culture is not only enjoying the conversation about sushi, but also conversing about the season, crafted wares, brewed sake, and more.This is exactly what this space is for.
Surat Awtorlary: Photographer: Kozo Takayama