Sunghoon Kim tarapyndan Museum Hanmi Exhibition Kitap Dizaýny

Sunghoon Kim tarapyndan döredilen Museum Hanmi Exhibition Kitap Dizaýny dizaýny Çap we Neşir Mediýa Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçÇap· 2023

Museum Hanmi Exhibition Kitap Dizaýny

dizaýner: Sunghoon Kim

Müşderi: Museum Hanmi

Çap Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Museum Hanmi Exhibition Kitap Dizaýny hakynda

Ol Hanmi Muzeýiniň açylyş sergisi bolan "Inside Out, Koreýa Fotosuratçylyk Taryhy 1929-1982" atly fotosurat toplumyny dizaýn etdi. Koreýa fotosuratçylygynyň geçen 50 ýylyna syn edýän taryhy sergi hökmünde, 1929-njy ýyldan 1982-nji ýyla çenli Koreýa fotosuratçylygynyň haýsy institutsional şertlerde taryhyny döredendiginiň yzlaryny yzarlaýar. Sergi bilen bilelikde, bu kitap Koreýa fotosuratçylygynyň haýsy institutsional şertlerde taryhyny döredendiginiň yzlaryny yzarlamaga kömek eder we Koreýanyň fotosuratçylyk taryhyny kesgitlemek üçin gymmatly mümkinçilik bolar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Museum Hanmi Exhibition Kitap Dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Museum Hanmi Exhibition Kitap Dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Museum Hanmi Exhibition Kitap Dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: He were directly inspired by the word photo because it is an exhibition photo book that looks back on Korea’s photography history over the past 50 years. Black and white were actively used as design elements on the cover and interior of the book, using photographic techniques that are printed in the way of light and darkness. The exhibition title is Inside Out, so he used intuitive parentheses as graphic elements.
Ölçegler we Gaplama: Softcover book, 170mm x 240mm x 38mm, 512 pages, the cover of two versions black and white, black cover is glossy black and glossy red hot foil stamping, white cover is pearl and glossy red hot foil stamping, bookbinding fully unfolded
Bellikler: MUSEUM HANMI, Photo Book, Book, Photography, Design, Editorial, Graphic, Typography
Önümçilik Tehnologiýasy: To express light and darkness, the paper on the cover was made in two versions: black and white. The black version is hot foil stamping with glossy black and glossy red, and the white version is hot foil stamping with pearl and glossy red. He printed it on matte paper so that the pictures of the past could be realized well. The book was tied with thread so that it could be fully unfolded and the back of the book has not adhered to.
Dizaýn Kynçylygy: The biggest goal is to understand the purpose of the exhibition while following in the footsteps of the institutional conditions in which Korean photography has made history and to convey its meaning well in the photo book. Also, since it is a photo book, He wanted to find a design methodology so that the techniques and elements of photography could be expressed in the book, and the two elements of light and darkness presented a great direction.
Gözleg: Over the years, he reviewed and organized the LIMB Eungsik’s Scrapbook, the largest archive of Korean photographers owned by MUSEUM HANMI. Based on this, he collected and organized photo materials with the help of various related organizations, bereaved families, and writers. Through this, he found the lost link in Korean photography history and filled the gap in the scrapbook. These efforts will serve as a foundation for academic attempts to establish the history of Korean photography.
Ylham: He designed a photo collection of , which is the opening exhibition of the MUSEUM HANMI SAMCHEONG. As a historical exhibition that looks back on the past 50 years of Korean photography, he follow in the footsteps of what institutional conditions Korean photography made history from 1929 to 1982.
Taslama Dowamlylygy: The project began in Seoul, South Korea in August 2022 and ended in January 2023. In Korea, books have been distributed to customers since January 2023.
Iş Akymy: He designed this book hoping that it will be a memorable book so that visitors to the exhibition can feel their feelings and thoughts about Korea’s photo history even after the exhibition. Along with the exhibition, the book will help follow the footsteps of Korean photography under what institutional conditions it has made history and will be a valuable opportunity to establish Korea’s photography history.
Topar Agzalary: Creative Directed & Designed by Kim Sunghoon
Surat Awtorlary: Kim Sunghoon