Nazanin Saranjampour and Mahdi SheykhRezaee tarapyndan Geometry of Fiction Ýüzük

Nazanin Saranjampour and Mahdi SheykhRezaee tarapyndan döredilen Geometry of Fiction Ýüzük dizaýny Şaý-sep Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirŞaý-sep· 2022

Geometry of Fiction Ýüzük

dizaýner: Nazanin Saranjampour and Mahdi SheykhRezaee

Müşderi: Nazanin Saranjampour

Şaý-sep Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

15,094

Tassyklanan Baýrak Ýeňijisi

#139979 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Geometry of Fiction Ýüzük hakynda

Geometry of Fiction — Eýranyň Ýezd şäherindäki taryhy Golşan hammamynyň binagärliginden ylham alnyp döredilen, üç sany ýüzükden ybarat kümüş şaý-sepler toplumydyr. Bu işde synag usuly ulanyldy: kub we silindr ýaly esasy görnüşler üç ölçegli programma üpjünçiliginde hammamyň ters geometriýasy bilen utgaşdyrylyp, 250-den gowrak täze forma döredildi. Şolaryň arasyndan birnäçesi ýüzükler üçin saýlanyp alyndy. Bölekler sanly usulda modellenip, rezinden çap edildi we kümüşden guýuldy. Üç ýüzügi bir toplum hökmünde, jübüt görnüşinde ýa-da aýry-aýrylykda dakynmak bolýar.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Geometry of Fiction Ýüzük A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Geometry of Fiction Ýüzük uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Geometry of Fiction Ýüzük jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: There are three stages to this experimental design process. In the first phase of the method, some primary shapes such as cubes, cylinders, and other shapes were transformed in 3d software using Rhino. Second, the designer created the antithesis of the Golshan bathhouse's form; the mass space was reversed to empty using an experimental method.Finally, the three-dimensional collision of the primary forms with the reverse geometry of the Golshan bath resulted in the creation of more than 250 new shapes in the following stage. Finally, the designer chose a few of the best shapes to create rings by evaluating them. The use of 3D computer software has enabled the visualization of new forms that would not have been possible otherwise.
Ölçegler we Gaplama: This silver jewelry set consists of three pieces of the ring. The pieces in this collection are 28, 20, and 2 grams in weight, respectively. These three rings can be worn as a set, in a double combination, or independently. These rings have been designed to be as ergonomic as possible, so there are no problems with the fingers when wearing them.
Bellikler: Jewelry, Experimental Design, Speculative Design, Golshan Bathhouse, Ring
Önümçilik Tehnologiýasy: The shape of the rings is very complex due to their delicate and precise angles, and conventional manual jewelry production methods are not suitable for their production. Therefore, this jewelry collection was first modeled using 3D modeling software and then printed from resin material. And then, they were made of silver metal by the micro fusion casting method.
Dizaýn Kynçylygy: The most critical design feature of this jewelrycollection is the aesthetic, which reflects the visual characteristics of the source of inspiration and has unpredictable forms due to its experimental design method. There are two significant obstacles to overcome when designing such a project: 1. Each piece's weight should be kept under control. 2. Take into account the ergonomics of the user's hands and fingers. Heavy forms were removed to optimize the result in design development and evaluation as forms inconsistent with hand anthropometry. Finally, the forms were lightened so that they could be easily worn.
Gözleg: Since old artifacts have always been a source of inspiration for designers, this jewelry collection was born out of research and study into the roots of Iraniandesign, which are found in Persian architecture, to create new Persian forms. Is it possible to be inspired by a monument without getting a repetitive and predictable result? That was the starting point for the design. This collection's design process is speculative and employs an experimental design method developed by the designer. Iranian design has essential characteristics such as balance, two-dimensional order, and many details; the researcher expected these characteristics to appear in a newer aesthetic and represent Persian thoughts, so ideationbegan, leading to the production of over 250 experimental forms of origin. They re-created the above-mentioned Iranian features in Persian design.
Ylham: The historic Golshan Bathhouse in Yazd served as the project's primary source of inspiration. The Iranian architecture of the Golshan Bathouse is typical of Qajar-period Iran, and the structure's geometry demonstrates many aspects of Iranian art. This collection has created new ring forms due to formal alternatives to Golshan bathhouse geometry. Roofs, corridors, and pools have visual elements that can be seen in the shapes of the rings indirectly in the details of this collection's pieces.
Taslama Dowamlylygy: April 2021-November 2021 Tehran, IRAN
Iş Akymy: Persian architecture is rich in meaningful concepts that can inspire a great deal of creativity when translated into modern language. Jewelry is the meeting point of art and design, and it can be used to convey a message in the same way that a medium can. This jewelry collection has been able to demonstrate the complexity of Iranian art. One of the most appealing aspects of this collection is that it can be viewed from various perspectives and represent a new form; it can also be worn from any angle without looking the same. This feature delights the user every time she wears it.
Topar Agzalary: Mohammadmahdi Sheykh rezaee