Weixian He and Baoyang Wei tarapyndan The Land of Rocks Sergi stendi

Weixian He and Baoyang Wei tarapyndan döredilen The Land of Rocks Sergi stendi dizaýny Söwda Sergisi Binagärligi, Içki Bezeg we Sergi Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşSöwda Sergisi· 2023

The Land of Rocks Sergi stendi

dizaýner: Weixian He and Baoyang Wei

Müşderi: Wise Space Aesthetics

Söwda Sergisi Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

17,273

Tassyklanan Baýrak Ýeňijisi

#139921 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

The Land of Rocks Sergi stendi hakynda

Daşlar ülkesi (The Land of Rocks) 2020-nji ýylda Guançžou Dizaýn hepdeliginde sinterlenen daş brendi üçin döredilen wagtlaýyn sergi giňişligidir. Stend 180 inedördül metr meýdany tutýar. Ýarym ýapyk we ýarym açyk ýerleşiş myhmanlary dürli-dürli ugur boýunça alyp barýar, ýerleşdirilen diwarlarda kesilip açylan boşluklar bolsa daş nagyşlarynyň daşyndan hem, içinden hem görünmegine mümkinçilik berýär. Sahnanyň merkezinde Daş güli (Rock Flower) atly egri gurluş ýerleşýär. Bu dizaýn sinterlenen daşyň, ýaşaýşyň we şäheriň arasyndaky baglanyşygy görnükli we aňsat başdan geçirilýän edýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

The Land of Rocks Sergi stendi A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. The Land of Rocks Sergi stendi ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. The Land of Rocks Sergi stendi köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: "Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Ölçegler we Gaplama: 180sqm
Bellikler: Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Önümçilik Tehnologiýasy: Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Dizaýn Kynçylygy: The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
Gözleg: From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Ylham: What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Taslama Dowamlylygy: The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Iş Akymy: To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Topar Agzalary: Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Surat Awtorlary: Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu