Zona Yuechen Guan tarapyndan Discussing Time Kitap

Zona Yuechen Guan tarapyndan döredilen Discussing Time Kitap dizaýny Çap we Neşir Mediýa Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçÇap· 2022

Discussing Time Kitap

dizaýner: Zona Yuechen Guan

Müşderi: Zona Yuechen Guan

Çap Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

18,009

Tassyklanan Baýrak Ýeňijisi

#136550 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Discussing Time Kitap hakynda

Wagt barada gürrüň atly kitap wagt düşünjesi barada geçirilen topar maslahatyny beýan edýän we şol maslahatdan ylham alnyp döredilen tipografik heýkelleri görkezýän kitapdyr. Kitabyň ölçegi 7x12 dýuýmdyr. Heýkelleriň biri buzdan ýasalyp, suwy galyplara guýup, doňdurmak arkaly döredilipdir. Buz erän wagtynda, wagtyň geçişi tomaşaçylara göz bilen görünýän ýagdaýa gelýär. Sahypalaryň dizaýny XVI asyryň başlaryndaky bezelen golýazmalardyr pergament kitaplaryna salgylanyp, döwrebap fotosuratçylyk bilen utgaşdyrylypdyr. Netijede, taryhy kitap dizaýny häzirki zaman tehnologiýasy bilen baglanyşdyrylýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Discussing Time Kitap A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Discussing Time Kitap uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Discussing Time Kitap zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This project is a group discussion of interdisciplinary type design experience that the designer played different roles: the sculpture's artist, the concept creator, the photographer, the videographer, the facilitator of discussion, the transcriber of the conversation, the editor of the texts recorded, the designer, and the bookbinder. A collective book features a sculpture of time made by the designer based on illuminated manuscript-style book design with a modern twist in its photography.
Ölçegler we Gaplama: The book is designed in the size of 7x12 inches.
Bellikler: Typography, Interdisciplinary Design, Time, Sculpture, Book Design, Ice, Type.
Önümçilik Tehnologiýasy: For the sculpture, I use ice. I make the molds and then pull water inside and then freeze it to get the iced sculpture.
Dizaýn Kynçylygy: I think the hardest pair part for this project is "time." Since this is a collective book design project, we need to gather everyone to discuss the concept of "time." Everyone has a different understanding of "time," we have to discuss everyone's expressions and ideas. And then design a typographic sculpture based on "time." I need to repeatedly discuss with everyone and complete my own sculpture works in this process. So time is very tight. Doing research, finding the parchment, and analyzing the typography, fonts, design preferences of that era took a lot of time as well.
Gözleg: I have researched many books from the 16th century onwards and sources on book printing and design analysis. A team of thirteen people, including the instructor and I, had many discussions on our understanding and views on "time." My sculpture's concept originates from the natural phenomenon of ice melting into the water. The design combines sixteenth-century book design elements with modern technology, making the book design itself embody a concept of "crossing time."
Ylham: When people look at the ice, they cannot see the melting change immediately. It is like they could not feel the movement of time when they were young. When people start to realize the changes, it will be more obvious that the melting speed will be faster. The ice will melt into the water at the end. The ice will finally become water, left on the ground, but the water print will leave on the surface. Although it is the end, it still leaves something behind to the world.
Taslama Dowamlylygy: This project started in February 2020 in New York and finished in April 2020 in New Yoke, and won the silver award of Graphis New Talent 2021 in New York.
Iş Akymy: This is a collective book design project for thinking and discussing "time" and sculpture-making with the letter "time." My time sculpture started with the natural phenomenon of ice melting into the water. I want the audience to experience the passage of time. Referring to the parchment design in the early 16th century, I use ancient design elements to combine with modern technology. In the end, I got a collective book of thoughts and discussions on "time" and sculpture works that spanned time.
Patentler: Copyrights belong to Yuechen Guan, 2020.
Surat Awtorlary: Image#1: Photographer Zona Yuechen Guan
Image#2: Photographer Zona Yuechen Guan
Image#4: Photographer Zona Yuechen Guan
Image#5: Photographer Zona Yuechen Guan
Video Credit: Film, photograph, edit by Zona Yuechen Guan/Music by Andigold