Takuji Kamio tarapyndan Ching Ming Kyoto Restoran Interýer Dizaýny

Takuji Kamio tarapyndan döredilen Ching Ming Kyoto Restoran Interýer Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2022

Ching Ming Kyoto Restoran Interýer Dizaýny

dizaýner: Takuji Kamio

Müşderi: Miyoshi Corporaiton

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Ching Ming Kyoto Restoran Interýer Dizaýny hakynda

Ching Ming Kyoto — Ýaponiýanyň Kýoto şäherindäki demir ýol menzili binasynda ýerleşýän hytaý restoranynyň interýeri. Meýdany 110 inedördül metr. Kadalaşdyryjy talaplar potologyň beýikligini çäklendirendigi sebäpli, yşyklandyryş asylgy görnüşde ýerine ýetirilip, sungat eseri hökmünde işlenildi. Çyzykly yşyklar üçburçlyk şekillerde emele getirilip, oturgyç zolaklaryny gurşap almak üçin yzygiderli birikdirildi. Potolok gara reňke boýalyp, howada ýüzýän çyzykly we top şekilli yşyklaryň täsirini has-da öňe çykarýar. Diwarlar gadymy hytaý rowaýatlaryny şekillendirýän ýag suratlary bilen bezelip, olar geometrik nagyşlar we grafiki pol kafelleri bilen utgaşdyryldy.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Ching Ming Kyoto Restoran Interýer Dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Ching Ming Kyoto Restoran Interýer Dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Ching Ming Kyoto Restoran Interýer Dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Ölçegler we Gaplama: Floor Area : 110 square meter
Bellikler: Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
Önümçilik Tehnologiýasy: For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Dizaýn Kynçylygy: Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
Gözleg: The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Ylham: Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Taslama Dowamlylygy: From September 2018 to March 2019 in Kyoto, JAPAN
Iş Akymy: Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Patentler: Ichii Kamiodesign
Topar Agzalary: Takuji Kamio
Ray Keida
Surat Awtorlary: Satoru Umetsu, nacasa and partneres