Kiyotoshi Mori and Natsuko Kawamura tarapyndan Yatsugatake Villa Willa

Kiyotoshi Mori and Natsuko Kawamura tarapyndan döredilen Yatsugatake Villa Willa dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçBinagärlik· 2022

Yatsugatake Villa Willa

dizaýner: Kiyotoshi Mori and Natsuko Kawamura

Müşderi: MDS Co., Ltd.

Binagärlik Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

11,775

Tassyklanan Baýrak Ýeňijisi

#129187 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Yatsugatake Villa Willa hakynda

Ýatsugatake Willasy Ýaponiýanyň Ýamanaşi sebitiniň Hokuto şäherinde ýerleşýän tomusky ýaşaýyş jaýydyr. Bina günorta tarapa açylýan, ýelpaýak şekilinde ýerleşdirilen üç trapesiýa görnüşli turbadan emele gelýär. Giň günorta açyklyk sowuk gyş aýlarynda gün şöhlesiniň içeri girmegine mümkinçilik berýär, uzadylan üçek we gapdal diwarlar bolsa tomsuň güýçli gün şöhlesini saklaýar. Demirgazyk we günorta taraplaryndaky penjireler binanyň içinden şemalyň geçmegine ýol açýar. Gurluşykda kedr agajy, gips we şoji ekranlary ulanylyp, adaty ýapon agaç binagärlik usuly ulanylandyr. Ýapyk şoji ekranlary ýumşak yşyk berýär, açyk ekranlar bolsa daş-töwerekdäki dag landşaftyny çarçuwa alýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Yatsugatake Villa Willa A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Yatsugatake Villa Willa uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Yatsugatake Villa Willa zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Ölçegler we Gaplama: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Bellikler: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Önümçilik Tehnologiýasy: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Dizaýn Kynçylygy: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Gözleg: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Ylham: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Taslama Dowamlylygy: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Iş Akymy: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Topar Agzalary: Kiyotoshi Mori
Natsuko Kawamura
Surat Awtorlary: Photography: Toshiyuki Yano