Yoshimi Sugiyama tarapyndan Sacred Trees II Näzik Şekiller Sungaty

Yoshimi Sugiyama tarapyndan döredilen Sacred Trees II Näzik Şekiller Sungaty dizaýny Fotosuratçylyk we Foto Işläp Bejerme Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçFotosuratçylyk· 2022

Sacred Trees II Näzik Şekiller Sungaty

dizaýner: Yoshimi Sugiyama

Fotosuratçylyk Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

33,952

Tassyklanan Baýrak Ýeňijisi

#127884 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Sacred Trees II Näzik Şekiller Sungaty hakynda

Kitap Teksti: Sacred Trees II gadymy agaçlaryň ýagtylyk bilen çekilen suratlarynyň seriýasydyr. Her bir surat gün ýaşandan soň ýa-da aý ýagtysynda, bäşden ýigrimi minuda çenli dowam edýän ekspozisiýa bilen düşürildi. Her ekspozisiýa wagtynda agaçlar reňkli gel bilen enjamlaşdyrylan birnäçe el fonarlary bilen "boýaldy". Tamamlanan işler 24-e 30 dýuým ölçegdäki suratlar hökmünde görkezilýär, reňkler we şekiller her bir çarçuwanyň içinde ünsli ýerleşdirilendir. Bu seriýa agaçlaryň, gaýalaryň we suwuň hudaýlaryň dynç alýan ýerleri diýen gadymy ýapon ynanjyny beýan edip, tebigatyň ruhy barlygyny görkezmegi maksat edinýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Sacred Trees II Näzik Şekiller Sungaty A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Sacred Trees II Näzik Şekiller Sungaty uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Sacred Trees II Näzik Şekiller Sungaty zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This is an expression of spiritual essence of nature through photographs by illuminating those natural creations which are the oldest living organisms on the planet. The Animism Series is for the audiences to feel the warmth of the nature and exciting world of brightly lit illusion. These works are very unique and different from others because creating them requires one of the most difficult photography techniques, such as painting with several flash lights simultaneously at night in the dark
Ölçegler we Gaplama: 24 inch X 30 inch
Bellikler: Animism, Sacred Trees, Landscape Photograph, Nature, Tree,
Önümçilik Tehnologiýasy: This series is Light Painting Photography.
These photographs were taken after sunset before total darkness or under the moonlight . I painted by flash lights with some color gels during　exposure for about 5 to 20 minutes.
Dizaýn Kynçylygy: With respect to the technical aspect, it was very difficult to get right exposure and balancing between natural light and artificial light. The challenge was to show the color of light which I wanted to show. I was able to show such vivid color based on my accumulated efforts and repetitive experiments. The color of gels I was able to see with my eyes did not show the same color in the picture, the color in the picture differed depending on the color of the object, surface, light source (such as LED or tungsten). I had to control length of shutter speed, aperture, and artificial light.
Gözleg: This requires a research of exposure, which is controlled by ISO, aperture, shutter speed, and intensity of flashlight beam. The 4 elements must be balanced perfectly depending on the external factors. The light of sun, moon, and streetlamps affect all measurements. The color of objects (trees) also affect. Objects absorb the light and change the light reflectance. A few experimental shots will be taken by a digital camera to collect data to find perfect measurements. This hard to achieve perfect measurement creates a one of a kind design which gives an audience a pleasant surprise.
Ylham: When I learned about my Japanese family roots, I became interested in learning more about my roots, culture and history. I came to learn that people in Japan have, since ancient times, held a belief toward natural creations, such as trees, rocks, and water as the resting place of Gods. The giant trees and ancient trees we see today have survived various natural disasters, and people have worshiped them as extraordinary living things reflecting their appreciation and thoughts in various ways. I
Taslama Dowamlylygy: The project started in May 2003 in California and finished in July 2019
Iş Akymy: These photographic designs and images of nature are in printed form. The balance and harmonyof each color and object are carefullyarranged in a frame."Apicture tells a thousand words." Thesemysterious images and colors, which do not exist in nature, grab the audience's attention and gain interaction. By looking at the images, the audience will immediately create own storyand meaning of natural wonder and get inspired. The audience will enjoy seeingthe active lifemovement inside the two dimensional world of a color photograph.That is the power of photography.
Patentler: Copyrights belong to Yoshimi Sugiyama, 2021
Surat Awtorlary: Photographer / Yoshimi Sugiyama