Pavavalung Etan tarapyndan Circle Origin Source Jemgyýetçilik sungaty

Pavavalung Etan tarapyndan döredilen Circle Origin Source Jemgyýetçilik sungaty dizaýny Landşaft Meýilnamalaşdyryş we Bag Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirLandşaft Dizaýny· 2022

Circle Origin Source Jemgyýetçilik sungaty

dizaýner: Pavavalung Etan

Müşderi: Maolin National Scenic Area Administration, Tourism Bureau, MOTC.

Landşaft Dizaýny Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Reňkler

Dizaýn

Circle Origin Source Jemgyýetçilik sungaty hakynda

Tegelek Gelip Çykyş Çeşmesi Taýwandaky Rinari taýpa sebitinde ýerleşýän jemgyýetçilik sungat eseridir. Eser takmynan 16 inedördül metr meýdany öz içine alýar we meýdança pol sungatyny, awtoduralganyň gapdalyndaky bezelen germewi we myhman merkeziniň girelgesindäki iki sütüni öz içine alýar. Gatlaklaýyn konsentrik tegelekler Paiwan medeniýetine esaslanýan totem nagyşlaryny göterýär. Daş, mis, poslamaýan polat, latun we kerpiç eseriň uzak ömürli bolmagy üçin utgaşdyrylýar. Dizaýn 2009-njy ýyldaky tupandan soň öýlerini gaýtadan guran üç taýpany hormatlaýar we jemgyýete ýygnanyşmak hem-de dabaralar üçin umumy ýer berýär.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Circle Origin Source Jemgyýetçilik sungaty A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Circle Origin Source Jemgyýetçilik sungaty uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Circle Origin Source Jemgyýetçilik sungaty jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This work can be divided into the plaza floor art, the parking lot railing beautification, columns on both sides of the visitor center, and the exterior beautification. These elements are stacked and wrapped around the concentric circle in layers to show the cultural and living belonging. The artist tried to transform the spiritual blessing and encouragement to his works by using dialogue between the space environment and the work as the main idea.
Ölçegler we Gaplama: The total area of design is around 16 square meters, including the circular ground of the square with inlaid totems, the creative lining railing of wood, stone, and iron in the parking lot opposite to the center of the Tourism Service Center, and the two columns at the entrance of the Tourist Service Center as spatial beautification and floor artwork.
Bellikler: Circle, Origin, Source, cultural, art
Önümçilik Tehnologiýasy: Original stone combined with copper, stainless steel, brick, etc., to create long-lasting works and serve as the basis for setting materials. The bottom layer of PC pavement is then installed with stainless steel and brass as totem patterns on the floor, then inlaid with different elements and colors of stone on the floor to create an intimate visual artwork that brings the community together.
Dizaýn Kynçylygy: During the development of the work, the culture, traditions, myths, and totems of the entire Rinari tribe and Aboriginal people were used as the starting point. Therefore, it took quite some time to study and refine the totems. It has experienced several challenges and problems in the process, which has overcome one after another to present the complete totem of Circle, Origin, Source.
Gözleg: In the summer of August 8th, 2009, Taiwan has suffered from a painful memory. Six hundred eighty-one people lost their lives in the storm, and 18 people were unaccounted for. After experiencing the pain and sorrow of being displaced, three different tribes united to build a home in Rinari, Majia Township, Pingtung County. The designers used the culture of the Paiwan tribe to create heart-warming public artworks to help the tribe members understand, support each other and overcome the pain together.
Ylham: This project, Circle, Origin, Source, takes the meaning of the origin of aboriginal life and speaks of the cultural commonalities among different tribes. The Rinari tribe is located in Majia Township, Pingtung County; the Majia, Haocha, and Dashe tribe relocated here after the Morakot disaster in 2009. The tribesmen experienced the pain of the typhoon disaster and worked hard to rebuild their homes. The work was born within the expectation of accompanying the tribesmen to start a new life and encouraging each other.
Taslama Dowamlylygy: The project finished in December 2019 in Taiwan.
Iş Akymy: As for the square in front of the visitor center, many artists and artisans were gathered at the center to the concentric circles, where clan members readjust to each other in the new environment. A festival is also a place to participate in rituals and dances to communicate and open our hearts, evoking the feeling of origin.
Topar Agzalary: Ethan Pavavalung
Surat Awtorlary: Maolin National Scenic Area Administration, Tourism Bureau, MOTC.