Min Huei Lu tarapyndan Obsessive Love Film Festiwaly Web Sahypasy

Min Huei Lu tarapyndan döredilen Obsessive Love Film Festiwaly Web Sahypasy dizaýny Web Sahypa we Web Dizaýn Bäsleşik Kategoriýasynda 2021 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçWeb· 2021

Obsessive Love Film Festiwaly Web Sahypasy

dizaýner: Min Huei Lu

Müşderi: Academy of Art University

Web Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

16,003

Tassyklanan Baýrak Ýeňijisi

#120536 üçin Baýrak Ýagdaýyny Barlaň

Häzir açyň Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Obsessive Love Film Festiwaly Web Sahypasy hakynda

Dizaýner, Alfred Hiçkokyň özüne çekijilik bilen meşgullanýan filmlerini bellemek üçin gipotetiki film festiwaly taslamasyny döretdi. Dizaýn, ýerine ýetirilmedik gahrymanlaryň pidalary yzarlaýan, olara eýeçilik duýgusyny berýän sapakdan soň, garaňky güýç güýçlendirmek syýahatçyny öldürmäge itergi berýär. Wizual elementler, ulanyjy interfeýsi we ulanyjy tejribesi bularyň hemmesi göze ilýän nukdaýnazardan düzülendir. Syýahatçy hökmünde tomaşaçylar nähilidir bir ýagdaýda ekrandaky wakalara gatnaşýarlar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Obsessive Love Film Festiwaly Web Sahypasy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Obsessive Love Film Festiwaly Web Sahypasy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Obsessive Love Film Festiwaly Web Sahypasy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The hypothetical film festival project to celebrate the films of Alfred Hitchcock. The objective is to coordinate a complex set of materials that must function together as a whole. The idea is also to marry multiple messages with divergent formats—all with a unified and holistic aesthetic. This aesthetic has to contain the essence of the directors and their storytelling style.
Ölçegler we Gaplama: Website Dimensions:1920px X 1080px
Bellikler: Film Festival
Önümçilik Tehnologiýasy: Camera
Adobe XD
Adobe Photoshop
Dizaýn Kynçylygy: The biggest challenge upon embarking on this project was to explore and understand Albert Hitchcock’s work on a 5 series of films. The film’s theme mainly revolves around the perspective of a voyeur. The essence of Hitchcock’s work seeks to introduce the details that the character embraced and it showcases; a pocket knife, a pair of binoculars, the victim’s photos as well as the fragrance of the target. In order to achieve the same level of depth that the film was trying to portray, part of my process was to focus on the physical attributes of the voyeur’s tools to be incorporated into my design process and innovation.
Gözleg: The design follows a thread which is unfulfilled characters stalk victims, giving them a sense of ownership, in the end, dark empowerment motivates the voyeur to murder. The visual elements, user interface, and user experience are all designed from a voyeur perspective. As voyeurs, audiences somehow feel complicit in the events onscreen.
Ylham: There is a prevailing obsession with voyeurism running throughout Hitchcock’s oeuvre. He knew that human beings have a fascination with watching. We are naturally nosy, curious, intrusive in our daily existence. As voyeur, audiences somehow feel complicit in the events onscreen. This project attempts to incorporate the artistic expression of Alfred Hitchcock and five chosen films in two ways–through consistent visual language and design deliverables that mesh together as an integrated system.
Taslama Dowamlylygy: The project started in March 2019 and finished in Jun 2019 in San Francisco.
Iş Akymy: This project requires extensive research, prototype testing for user’s ease as well as a lot of trial and errors. All this is to achieve a well-organized user interface for a pleasant user experience
Topar Agzalary: Min Huei Lu
Surat Awtorlary: Image #1: Photographer/Creator Min Huei Lu
Image #2: Photographer/Creator Min Huei Lu
Image #3: Photographer/Creator Min Huei Lu
Image #4: Photographer/Creator Min Huei Lu
Image #5: Photographer/Creator Min Huei Lu