Lingjun Sun tarapyndan Fissure Şaý-sepler Kolleksiýasy

Lingjun Sun tarapyndan döredilen Fissure Şaý-sepler Kolleksiýasy dizaýny Şaý-sep Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirŞaý-sep· 2021

Fissure Şaý-sepler Kolleksiýasy

dizaýner: Lingjun Sun

Müşderi: Lingjun Sun Jewellery

Şaý-sep Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Reňkler

Dizaýn

Fissure Şaý-sepler Kolleksiýasy hakynda

Fissure — eremek buzluklaryň we gurap giden topragyň ýaryklaryndan ylham alnan şaý-sepler kolleksiýasydyr. Her bir bölek tebigatda duş gelýän çyzyklary şöhlelendirýän üç ölçegli tor görnüşinde el bilen mumdan oýulyp ýasalýar. Gurluş gymmat baha daşlaryň daşyna emele gelip, ýerlikli seredilende tötänleýin ýaly bolup görünýän bölekleirden deňagramly kompozisiýalar döredýär. Ýitirilen-mum guýma usuly, daş oturtmak, metal timarlamak we gara rodiý bilen örtmek her bir önümi tamamlaýar. Ulanylan materiallar 18 karat sary altyn, Günorta deňiz barokko dürdanalary we ak brilliantlardyr. Reňk tapawudy simmetriki bolmadyk, çaknyşyk görnüşleri has-da äşgär edýär.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Fissure Şaý-sepler Kolleksiýasy A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Fissure Şaý-sepler Kolleksiýasy uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Fissure Şaý-sepler Kolleksiýasy jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Each piece of this collection is hand-carved into a three dimensional lattice with lines mimicking those found in nature - a technique developed in my MA program in London. A thoughtful design logic hides between the organic lines of each piece, forming accordingly around the gems, contributing to balanced compositions of seemingly random components.
Ölçegler we Gaplama: Ring No.1: 41mm x 27mm x 19mm; Earrings No.1: 32mm x 32mm x 7mm; Earrings No.2: 55mm x 14mm x 11mm
Bellikler: wearable sculpture, art jewellery, one of a kind, volume, asymmetry
Önümçilik Tehnologiýasy: Each piece was hand-carved from wax to create the structure, according to the design needs or specific gem shapes. Lost-wax casting was used later. Stone setting, metal finishing and black rhodium plating were also applied. 18K yellow gold, south sea baroque pearls, white diamonds.
Dizaýn Kynçylygy: Seemingly randomness, asymmetrical structure, fine surface texture, together with unique form of each piece in the collection made 2D rendering or computer tools nearly impossible. Every piece required significant time and carving craftsmanship to model and test in physical prototypes. Further detailed adjustment was processed with additional remarkable time and effort.
Gözleg: Extracting a two dimensional pattern that widely found in nature to a three dimensional form requires large scale of visual analysis and model construction. Carefully designed structure, texture and colour, together serve the design logic hidden behind these seemingly random lines.
Ylham: 'Fissure' is a collection inspired by the crevices in melting ice caps and dried earth, echoing the growing environmental crisis we are living in.
Taslama Dowamlylygy: The project started in August 2020 in Sydney, and was exhibited in NYC Jewellery Week 2020
Iş Akymy: The designs were inspired the crevices in melting ice caps and dried earth. Wearers are experiencing the organic, three dimensional and asymmetrical forms of the collection. Its crisscrossing structure is further highlighted by colour contrast. Smooth and lustrous gems sitting in a carefully textured surface of the metal implies the incongruity human civilization and the nature.
Surat Awtorlary: Image#1, 2, 3, 4: Photographer Charmaine Morgan, 2020, Image#5: Photographer Lingjun Sun, 2021