Yang Bing and Hao Liyun tarapyndan Evd Ofis Içerki Dizaýny

Yang Bing and Hao Liyun tarapyndan döredilen Evd Ofis Içerki Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Altyn Baýragy baýragynyň abraýly ýeňijisidir.

AltynIçki Bezeg· 2021

Evd Ofis Içerki Dizaýny

dizaýner: Yang Bing and Hao Liyun

Müşderi: EVD Design

Içki Bezeg Kategoriýasynda A' Design Award Altyn Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Evd Ofis Içerki Dizaýny hakynda

EVD Hytaýyň Şanhaý şäherinde ýerleşýän ofis we sergi içerki giňişligidir. Giňişlik 300 inedördül metri öz içine alýar. Giňişligiň görnüşi klassyky dilleriň üsti bilen kemala getirilýär we hemişelik duýgusyny goşmak üçin klassyky arhitektura elementleri döwrebap çemeleşmeler bilen ulanylýar. U-görnüşli meýdan bir uzyn tarap we bäş sany uly penjire bilen birleşdirilýär, şeýlelikde tebigy yşyk erkin girýär we ýaýraýar. Içerki giňişligi baýlaşdyrmak üçin şar görnüşli formalar goşulýar. Dizaýn ýangyn goragy turbalarynyň we howa sowadyş kanallarynyň döredýän çäklendirmelerini çözmekden başlaýar. Diwarlaryň köpüsinde balykgulak külkesinden we tebigy ýelimlerden ýasalan sungat boýaglary ulanylýar.

Ykrar etme

A' Design Award Altyn Baýragy hakynda

Evd Ofis Içerki Dizaýny A' Design Award Altyn Baýragynyň ýeňijisidir; bu birinji derejeli, ajaýyp we tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Altyn ýeňijileri dizaýnerleriniň alymlygyny, paýhasyny we ussatlygyny görkezýän aşa täzelikçi, uzakgörüjilikli we göz gamaşdyryjy eserlerdir. Evd Ofis Içerki Dizaýny deňi-taýy ýok gymmat berýän, köp öwülýän, ugur kesgitleýän we ýadygärlik ýaly oýlap tapyş bolmagy garaşylýar. A' Design Award Altyn Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine uly peýda berýän we ony öňe sürýän ajaýyp, hormatly taslamadyr. Evd Ofis Içerki Dizaýny güýçli isleg duýgularyny döredýär, höwesi oýarýar, döredijiligi höweslendirýär we bizi haýran edýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
Ölçegler we Gaplama: Type: office and exhibition area
Area: 300 sqm
Bellikler: Evd, office, workplace, classical aesthetics, Classical spatial languages
Önümçilik Tehnologiýasy: The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
Dizaýn Kynçylygy: Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
Gözleg: Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
Ylham: The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
Taslama Dowamlylygy: April 2019-September 2019, Shanghai
Iş Akymy: The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
Topar Agzalary: Design team: Yang Bing, Hao Liyun
Surat Awtorlary: Super Yingxiang