Qixin Wu tarapyndan The Last Blooming Köp Wezipeli Matalar

Qixin Wu tarapyndan döredilen The Last Blooming Köp Wezipeli Matalar dizaýny Dokma, Mata, Tekstura, Nagyş we Eşik Dizaýny Bäsleşik Kategoriýasynda 2023 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirDokma· 2023

The Last Blooming Köp Wezipeli Matalar

dizaýner: Qixin Wu

Müşderi: EchoWu Design Studio

Dokma Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

The Last Blooming Köp Wezipeli Matalar hakynda

Logiki taýdan ters bir zada düşünmek, çylşyrymly ýaly görünýän kesgitlemäni başlangyç bilen gutarmagyň arasyndaky baglanyşygy ýönekeý gözleglere öwürmek üçin ölen güller aç-açan güllemegi aňlatmak üçin esasy material bolýar. Olar gülläp, iň soňky gözelligi görkezýärler. Garmoniki gaýtalanma we joşgunly hereketler tertibe has potensial aňlatma berýär. Iki gatly matalar, ýokarsy şifon we arka tarapy pagta, ýel gelende görünýän çalşygy dörediň. Şifonyň aç-açan görnüşi “Soňky güllemek” has özüne çekiji we syrly bolýar.

Ykrar etme

A' Design Award Demir Baýragy hakynda

The Last Blooming Köp Wezipeli Matalar A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. The Last Blooming Köp Wezipeli Matalar uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. The Last Blooming Köp Wezipeli Matalar jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Ölçegler we Gaplama: High: 27 inches
Width: 45 inches
Bellikler: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Önümçilik Tehnologiýasy: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Dizaýn Kynçylygy: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Gözleg: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Ylham: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Taslama Dowamlylygy: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Iş Akymy: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Patentler: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Surat Awtorlary: Qixin Wu