PCC Design - Swe WingChew and Kong MeeChew tarapyndan Chang An Temple Buddist Ylalaşma zaly

PCC Design - Swe WingChew and Kong MeeChew tarapyndan döredilen Chang An Temple Buddist Ylalaşma zaly dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşBinagärlik· 2021

Chang An Temple Buddist Ylalaşma zaly

dizaýner: PCC Design - Swe WingChew and Kong MeeChew

Müşderi: PCC Sdn. Bhd

Binagärlik Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Chang An Temple Buddist Ylalaşma zaly hakynda

Ybadathananyň dizaýny gadymy gündogar binagärliginiň düşünjesine esaslanýar we häzirki zaman binagärlik elementleri bilen utgaşdyrylýar. Mundan başga-da, esasy ybadathananyň özboluşlylygy bilen, landşaft binagärligi Ýapon gyzyl besedkasy we Buddist goşgy kalligrafiýasy bilen bezelen daşlar bolan Zen landşaft bagy arkaly döredilýär. Şeýlelikde, ol häzirki zaman döwrüniň we gadymy gündogar estetikasynyň birleşmesi sahnasyny oýarýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Chang An Temple Buddist Ylalaşma zaly A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Chang An Temple Buddist Ylalaşma zaly ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Chang An Temple Buddist Ylalaşma zaly köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The exterior design of the temple illustrates the richness of elements and characteristics of ancient oriental architecture.
Approximately one-third of the site was intentionally allocated for the vastly Zen garden's landscape, to lure the eyes with beautiful nature as a luxury and great sense of welcoming entrance. The frontage manmade lake was complemented with an outdoor gallery of Chinese calligraphy and Buddhism statue stones carving along the pedestrian path circling to evoke the scene of the modern era emerging with ancient oriental characteristics.
Ölçegler we Gaplama: The project is with a building scale of 20,440 Square meter and an Land area of 39,254.50 Square meter
Bellikler: Oriental Architecture, Temple, Enlightenment Hall, Buddhism, Calligraphy, Nature
Önümçilik Tehnologiýasy: The site is situated in Malaysia, a hot-humid tropic country with high precipitation all over the year.
The construction structure is dominantly a reinforced concrete and masonry wall- sustainable and suitable for the hot tropic climate and minimal seismic zone.
Pitch roof and clay tiles are the most sustainable roof type to address the hot-humid and heavy rainfall.
The reflective pond surrounding the temple building footprint is another sustainable tool that acts as an air inter-cooler system, to reduce external air temperature before entering into the building and to reduce the dependency on the air-conditioner.
Dizaýn Kynçylygy: The challenging part of the building is the conversion of technology. The ancient oriental architecture is created through timber building structure, whereas the timber structure is not capable of to current era. Hence, the conversion of ancient timber structure into a concrete structure without losing any aesthetic feeling and actual proportion of ancient oriental architecture is our main challenges
Gözleg: Chinese calligraphy and Buddhism statue stones carving are essential in traditional Chinese architecture. They hold a high philosophical and historic value.

Those stones are introduced into the Zen garden landscapes as an outdoor gallery along the pedestrian path circling the lake - to complement the atmosphere towards the sense of oriental and its origin.

The interior design of the enlightenment hall is decorated with many of those stones at the columns, walls, and ceilings - to enrich the spiritual moods and to complement the purpose. In other words, it recreates a modern version of Mogao Cave temple in Dun Huang, China.
Ylham: The inspiration for this theme of the design is through the Tang, Song, and Ming Dynasty architecture - emphasizing the traditional elements of details such a roof, screens, and sculptures into the modern touch to create a progressing architecture, Neo Oriental.
Traditional lanterns are significant ornaments in Chinese tradition that were being translated into the façade design as a Chinese screen with frosted glass backlight effects – to create a neo-oriental illuminated by the modern vibe.
Taslama Dowamlylygy: The project expected started in October 2020 Selangor, Malaysia and will finish in year 2022
Iş Akymy: Besides the usage for Main Temple Hall, the building also takes the experience of visitors in the outdoor Buddhist calligraphy garden into account. The project is set up according to various functions, including a prayer hall, indoor and outdoor Buddhist cultural caligraphis museum, meditation, etc.
Topar Agzalary: Creative director: SW Chew, KM Chew
Design Assistant:Nor Azmi Bin Nor Saidon, Mohamad Hisamudin
Surat Awtorlary: All image credited by PCC Design Sdn. Bhd