Tairan Hao and Shan Xu tarapyndan Ceramics Extension Sungat Gurnamasy Sungatyň

Tairan Hao and Shan Xu tarapyndan döredilen Ceramics Extension Sungat Gurnamasy Sungatyň dizaýny Şekillendiriş Sungaty we Sungat Gurnamalary Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçŞekillendiriş Sungaty· 2020

Ceramics Extension Sungat Gurnamasy Sungatyň

dizaýner: Tairan Hao and Shan Xu

Müşderi: Tairan Hao

Şekillendiriş Sungaty Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Ceramics Extension Sungat Gurnamasy Sungatyň hakynda

Gurnama, elde ýasalan keramika heýkelleri we 3D çap edilen plastmassa heýkelleri bilen emele gelýär. Sungat we dizaýn, her bir obýektiň, her kimiň, hemme zadyň çäksiz giňelýändigi barada güýçli duýgy tomaşaçylara ýetirmäge synanyşýar. Heýkeltaraşlygyň bolmagy bilen, görýän zatlarynyň bir böleginiň hakykydygyny habar berýär, ýöne beýleki zatlar aýnalaryň şöhlelenmesi bolup, hakykata laýyk däl. Özara täsir adamlary özleri döreden hyýaly dünýä girýärler diýip pikir edýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Ceramics Extension Sungat Gurnamasy Sungatyň A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Ceramics Extension Sungat Gurnamasy Sungatyň uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Ceramics Extension Sungat Gurnamasy Sungatyň zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Ölçegler we Gaplama: half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Bellikler: Installation, Art, 3D Printing, Ceramics, Sculpture
Önümçilik Tehnologiýasy: 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Dizaýn Kynçylygy: The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
Gözleg: The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Ylham: The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Taslama Dowamlylygy: The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Iş Akymy: When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Patentler: Copyrights belong to Shan Xu and Tairan Hao, 2017
Topar Agzalary: Designer: Shan Xu
Artist: Tairan Hao
Surat Awtorlary: Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017