Beauty of Yinyang ናይ መንበሪ ውሽጣዊ ንድፊ ብ PiiN Interior Design

ዲዛይን Beauty of Yinyang ናይ መንበሪ ውሽጣዊ ንድፊ ብ PiiN Interior Design ኣብ ናይ ውድድር ምድብ ንድፊ ውሽጣዊ ቦታን ምርኢትን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2020 ናይ ነሓስ ሽልማት A' Design Award እዩ።

ነሓስውሽጣዊ· 2020

Beauty of Yinyang ናይ መንበሪ ውሽጣዊ ንድፊ

ብ PiiN Interior Design

ዓሚል: Shan Cun Fu Hong Interior Design

ኣብ ምድብ ውሽጣዊ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award

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ንቁጽሪ #88734 ሽልማት ኣረጋግጽ

ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Beauty of Yinyang ናይ መንበሪ ውሽጣዊ ንድፊ

ውበት ናይ ይንያንግ ኣብ ታይቹንግ፡ ታይዋን ዝርከብ 300 ትርብዒት ሜትር ናይ መንበሪ ውሽጣዊ ንድፊ እዩ። እዚ ንድፊ እዚ ንመትከል ባህላዊ ቻይናዊ ኣተሓሳስባ ዝኾነ ሚዛናዊ ሲሜትሪ ናይ ይንያንግ፡ ኣብ ዘመናዊ ገዛ ይትግብር። ሲሜትራዊ ኣቀማምጣታትን መስመራዊ ባእታታትን ስምዒት ስርዓትን ህድኣትን ይፈጥሩ። ሓደ ክቢ ንቦታ ድራር ይቐርጽ፡ እዚ ድማ ናብቲ ስድራቤት ዙርያ ሓባራዊ መግቢ ዝእከበሉ ዘመልክት እዩ። ንዑኡ ዝጥቀሙ ንጥረ-ነገራት ናይ ሓቀኛ ዕንጨይቲ፡ ዕንቊ-ኳርትዝ (ማርብል)፡ ወርቃዊ ፎርፎር ከምኡውን ናይ ብሉይ መስትያት መስኮት ጥበብ የጠቓልል። ኣብ ሓደ መንደቕ ድማ ዓቢ ናይ ማይ ቀለም (ውሃ ኢንክ) ስእሊ ኣብ ወረቐት ተሰሪሑ ተሰቒሉ ኣሎ።

እቲ ኣፍልጦ

ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award

Beauty of Yinyang ናይ መንበሪ ውሽጣዊ ንድፊ ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Beauty of Yinyang ናይ መንበሪ ውሽጣዊ ንድፊ ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Beauty of Yinyang ናይ መንበሪ ውሽጣዊ ንድፊ ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: In contrast to the Western concept of spatial design that is filled with power and outward contrast, people can find reservation, harmony, serenity and order in the Oriental traditional architecture and craft aesthetics, especially from the new Chinese styling derived from its classic styling. This project encompassed the functionality of modern western design, in successfully continuing the legacy the serene elegance and genuine spiritual pursuit in the traditional Chinese culture.
ዓቐንን ማዕሸግን: The interior design area is 300 square meters.
መለለዪታት: New Chinese Styling, Symmetry, Circle, Oriental, Line
ናይ ምፍራይ ቴክኖሎጂ: Vintage Glass Window Craft, Gold Foil, Large Water Ink Wall Painting on Paper, Genuine Timber, Marble
ናይ ዲዛይን ብድሆ: With the indispensable circle element in the new Chinese styling, it is epitomized in the design of the dining area which articulated the gathering for meals in the traditional Chinese culture, and the design team successfully overcame the seamless joint of veneer in the elevation design. And as opposed to the usual wall painting materials, the design team mounted a large traditional Chinese water ink painting on the wall in exhibiting the grandeur of the celebrated sense of fulfilment.
ምርምር: As the maintenance of traditional culture progressing with the time is one of the missions of designers, in the era of globalization, it is critical for the humanity first design domain to help people to find the cultural root that may have been gradually forgotten. And in this project, the reflection of the designer on the Western industrial design and Oriental traditional aesthetics was translated to the sense of order in the form of linear elements exhibiting stability and fulfillment.
ምንጪ ሓሳብ: In the Chinese world, the core principle of interpersonal interaction and decorum is to adhere to the good, and to escape from the bad. Fengshui was indeed a spatial layout theory based on order bringing stability and harmony to home. In order to facilitate the changes in modern life style, while preserving Chinese culture, the design team reflected and explored in ultimately applying the principle of the balanced symmetry of Yinyang in this spatial design.
ናይ ፕሮጀክት ግዜ: The project finished in February, 2018 in Taichung, Taiwan.
ናይ ስርሒት ፍሰት: Traditional Chinese aesthetics places high premium on the beauty of symmetry, which originated from their unique school of philosophical thinking in the balance of Yinyang.
ኣባላት ጋንታ: Chih Hsiu Sung
Joy Chou
ናይ ስእሊ ክረዲት: Photographer LIN YU HUAN, SW8 Studio, 2019.