ዲዛይን Nippon Shinyaku Koku ቦታ ቤት ጽሕፈት ብ Reiichi Ikeda ኣብ ናይ ውድድር ምድብ ንድፊ ውሽጣዊ ቦታን ምርኢትን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2023 ናይ ነሓስ ሽልማት A' Design Award እዩ።
ነሓስውሽጣዊ· 2023
Nippon Shinyaku Koku ቦታ ቤት ጽሕፈት
ዓሚል: Nippon Shinyaku Koku
ኣብ ምድብ ውሽጣዊ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award
ዝተረጋገጸ ተሸላማይ
ንቁጽሪ #145492 ሽልማት ኣረጋግጽእቲ ዲዛይን
ብዛዕባ Nippon Shinyaku Koku ቦታ ቤት ጽሕፈት
እቶም ዲዛይነራት ኣብ ውሽጢ ቤት ጽሕፈት ርእሲ ናይ ኒፖን ሺንያኩ፣ ኣብ ፕሪፌክቸር ክዮቶ ዝመደበሩ ኩባንያ መድሃኒት፣ ፍሉይ ስርዓት መደበር ዘለዎ ቦታ ዲዛይን ገይሮም። እዚ ፕሮጀክት ኣብ ጥቓ ስቴሽን ኒሺኦጂ፣ ኣብታ ሓያሎ ህንጻታት ቤት ጽሕፈት ገጽ ንገጽ ዝቖማሉ ሰፊሕ ቦታ፣ ንሓደ ኩርናዕ ተዳልዩ። ንምዝካር 100ይ ዓመት ምትእስሳስ ናይታ ኩባንያ፣ እቲ ፕሮጀክት ኣብ መወዳእታ 2019 ተጀሚሩ። ይኹን እምበር፣ ብሰንኪ እቲ ዘይተጸበናዮ ምስፍሕፋሕ ናይ ሓድሽ ኮሮናቫይረስ ንግዚኡ ክቋረጽ ነይሩ። ኣብ ክረምቲ 2021 ኣብ መወዳእታ ተዛዚሙ።
እቲ ኣፍልጦ
ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award
Nippon Shinyaku Koku ቦታ ቤት ጽሕፈት ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Nippon Shinyaku Koku ቦታ ቤት ጽሕፈት ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Nippon Shinyaku Koku ቦታ ቤት ጽሕፈት ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።
ድሕሪ እቲ ዲዛይን
ናይ ፕረስ ኪት
ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።
- ፍሉያት ባህርያት
- We designed the free address space inside the headquarters of Nippon Shinyaku, a pharmaceutical company headquartered in Kyoto Prefecture.
It was planned for a corner of a vast site near Nishioji station, where several office buildings stand side by side.
To commemorate the 100th anniversary of the company’s founding, the project began in late 2019. However, it had to be stopped temporarily due to the unprecedented spread of the novel coronavirus. It was finally completed in the summer of 2021. - ዓቐንን ማዕሸግን
- Area：369.8 square meters
- መለለዪታት
- office, interior, japan, kyoto
- ናይ ምፍራይ ቴክኖሎጂ
- Main finishing material
Floor: mortar base with magnetic tiles, mortar metal trowel holder
Walls: PB groundwork AEP, round pillars/mortar metal trowel holder, wall frame/ST assembly baking paint, curtain/lace fabric crease processing
Ceiling: Existing slab base AEP
Fixtures: Big table/legs/magashiro wood dyed finish, top plate/melamine veneer pasted (K-6305/Aica Kogyo), counter/exposed concrete finish
Lighting equipment: Brass custom-made pendant lighting (vao place) - ናይ ዲዛይን ብድሆ
- While capturing the background of Kyoto, we aimed to create a place that is conscious of connecting the left behind interior to the outside, from the environmental conditions that the building does not face the public road as in the past.
- ምርምር
- 1.By inserting the same tiles as the outdoor tiles into the interior, the boundary points between the inside and outside are controlled by the design.
2. Based on the traditional Japanese concept of "continued room", we scattered frames that traced the outline of the fusuma.
3. Since all the buildings on the premises are reddish brown, the interior is also affected and the process of dyeing everywhere is expressed. - ምንጪ ሓሳብ
- Incorporating the idea of “tuzukima” in Japanese architecture, the steel frames that trace the outline of the fusuma are scattered along the span of the frame beam. It is not just a wall that seeks a function, but an open space that controls consciousness and aims to be "something that gently forms individual areas". I want you to spend your time in a place that fits you.
- ናይ ፕሮጀክት ግዜ
- Construction began in Kyoto on April 13, 2021 and was completed on July 27, 2021.
- ናይ ስርሒት ፍሰት
- First, we increased the boundary between the inside and outside by incorporating diagonal lines ub the form of a V-shape for the glass walls, which previously ran parallel. Then, we made the boundary area between the inside and outside ambiguous by taking the floor tiles, which had originally been designed for an outside environment, and allowing them to overflow into the inside space, even biting into the V-shaped glass walls.
What’s more, the process of repeated expansion throughout the company’s long history turned the exterior of the building a reddish-brown. This view of the site and its colors express the ongoing process in this change in color, as though it is changing the building’s interior as well.
In order to categorize the scene, we incorporated the idea of the “tsuzukiai” present in the sukiya style of building. Thus, steel frames that trace the outlines of the fusuma (Japanese paper sliding doors) are scattered along the span of the skeleton beams. As such, these walls are not just function, like ensuring privacy or sound insulation. Rather, they aim to create an open space while controlling the consciousness of lookers on to emphasize the gentle form of the individual areas.
It is perfect for spending your time as you see fit. - ኣባላት ጋንታ
- design/REIICHI IKEDA DESIGN Reiichi Ikeda
partner/Aji Architects Tomoko Nagahiro
lighting/Modulex Jun Ikeda
bgm/Espec Junji Ozono
curtain/fabricscape Kiyohiko Yamamoto
green/Bond Satoshi Tanii
art/Tokuhiro Kano
funiture/inter office Akio Hayashi
custom lighting/vaoplace Hirohumi Oba
interactive Satoshi Kamewaka
sign/kantaro Midori Hirota
Constructor/Kanazawa Contruction Hideki Kanazawa
Photographer/Yoshiro Masuda
Photographer：Yoshiro Masuda - ናይ ስእሊ ክረዲት
- Photographer：Yoshiro Masuda
ስፖንሰር ዝተገብረ
ልዕሊ Designers.org ዳህሰስ
ካብ ናይ ማስታወቂያ መሻርኽትና ፍርያት፣ ኣገልግሎታትን ዕድላትን ፍለጥ።
ተወሳኺ ንምርካብ
ተዛመድቲ ዲዛይናት
ካብ ተመሳሳሊ ምድብ ብብቕዓት ዝተመረጹ ተወሳኺ ሽልማት ዝተዓወቱ ዲዛይናት ድለዩ።
