ዲዛይን Essence ጉትቻ ብ Masoud Serati Nouri ኣብ ናይ ውድድር ምድብ ንድፊ ጌጣጌጥ ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2022 ናይ ነሓስ ሽልማት A' Design Award እዩ።

ነሓስጌጣጌጥ· 2022

Essence ጉትቻ

ብ Masoud Serati Nouri

ዓሚል: Gemod’art

ኣብ ምድብ ጌጣጌጥ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award

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ዝተረጋገጸ ተሸላማይ

ንቁጽሪ #126471 ሽልማት ኣረጋግጽ

ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Essence ጉትቻ

ኤሰንስ ቅድሚን ድሕሪን ናይ ኮሮና ቫይረስ ዝተላባዕታ ኣህጉራዊ ለበዳ ኣብ መንጎ ደቂ ሰብ ብዝነበረ ርክብ ተመስጢራ እተሰርሐት ጉትቻ እያ። ቀንዲ ቅርጻ ክቢ (ስፈሪካል) ኮይኑ፡ መስመራት ኣብ ልዕሊ ገጻ እናተጓዕዙ ይራኸቡ (ይሳገሩ)። እዞም መስመራት ንፍርቂ ተሓቢኡ ዘሎ ጻዕዳ ሉል ዝኸብቡ ኮይኖም፡ እዚ ሉል ድማ ንህላወ ህይወት ዝውክል እዩ። ድሕሪኡ እዞም መስመራት ኣብ ንኣሽቱ ሉላት ጸልማት ሕብሪ ዘለወን፡ ንማሕበራዊ ርሕቀት ዜመልክታ፡ ይውድኡ። ኣብ ትሕቲ እታ ክቢ ቅርጺ ድማ ፍሉይ ተኣሳሲርታ (ፔንደንት) 20 ሚ.ሜ ንውሓት ዘለዋ ተንጠልጢላ ትርከብ። እዚ ንድፊ ብሶፍትዌር ተቐሪጹ፡ ብ3ዲ ሕትመትን ብቐጥታ ስፋርን ተመሪቱ፡ ሉላቱ ድማ ብኢድ ተሰኒዖም ኣለዉ።

እቲ ኣፍልጦ

ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award

Essence ጉትቻ ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Essence ጉትቻ ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Essence ጉትቻ ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: The spherical shape of the design inherently has the power to attract the viewer, in which the movement and intersection of the lines on it creates a stronger connection, which his relationship is strengthened by the presence of a semi-hidden pearl and small visible pearls with a contrasting color and a pendant separated from the design.
ዓቐንን ማዕሸግን: The general shape of this design can be made in any size and of course in a size that the earrings do not bother the user, and also the length of the pendant is 20 mm and the length of 10 prongs for small pearls are 5 mm.
መለለዪታት: corona virus, earrings, life, human connections, social distancing
ናይ ምፍራይ ቴክኖሎጂ: This design’s modeling was done using the Matrix software, which 3D printing technology was sued to make it in the first stage, and then direct casting. In the final stage, pearls are placed manually.
ናይ ዲዛይን ብድሆ: The main challenge and goal of this project was to create an everlasting work with the concept and view that is correct and consistent with its time, which shows the situations and relationships of human life in the period of the outbreak of Corona virus, which years later will be mentioned.
ምርምር: The designer's involvement and influence from the corona outbreak, as well as the influence from the circumstances of the people and the unprecedented number of incidents and casualties, led to the fact that among all the related incidents and issues of human social communication and comparing it with before and after the Corona virus outbreak, lead to creation of this idea and work.
ምንጪ ሓሳብ: The life before and after the outbreak of the Corona virus as the world's main topic has been the inspiration of this work.Before the Corona virus all the people were communicating with each other while after that connection between people was weakened and the social distance between them occurred where even the essence of human life beings was broken, leadingly everyone sank into their own.
ናይ ፕሮጀክት ግዜ: The ideation of the design and it's design started at the fastest possible time in early April 2021 and on May 10,2021,it was completed in Iran and the city of Tabriz.
ናይ ስርሒት ፍሰት: The continuity of the lines of the work from the pendant to the movement on the spherical surface and enclosing the white pearl as a precious gem of life and finally stopping the lines when turning them into small pearls with dark and contrasting color, delivers the idea and purpose of the design to the audience.
ናይ ስእሊ ክረዲት: Image #1:Illustrator, Pouya Hosseinzadeh, Render, 2021
Image #2:Illustrator, Pouya Hosseinzadeh, Render, 2021
Image #3:Illustrator, Pouya Hosseinzadeh, Render, 2021
Image #4:Illustrator, Pouya Hosseinzadeh, Render, 2021
Image #5:Illustrator, Pouya Hosseinzadeh, Render, 2021