ዲዛይን Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) ብ Yu Chen ኣብ ናይ ውድድር ምድብ ንድፊ ግራፊክስ፣ ስእልን ብዓይኒ ዝረአ ርክብን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2021 ናይ ነሓስ ሽልማት A' Design Award እዩ።
ነሓስግራፊክ· 2021
Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ)
ብ Yu Chen
ዓሚል: Hubei University of Technology
ኣብ ምድብ ግራፊክ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award
ዝተረጋገጸ ተሸላማይ
ንቁጽሪ #119882 ሽልማት ኣረጋግጽእቲ ዲዛይን
ብዛዕባ Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ)
"ወለዲ ይንበሩ" ኣብ ልምዳዊ ስፌት ሃን ዝተሰረተ ዓይነት ፊደል ኮይኑ፡ ንድኻ ዝኾነት ዓዲ ንምሕጋዝ ዝተፈጥረ እዩ። ዓዲ ጂንሊንግ ልዕሊ ክልተ ሽሕ ቆልዑ፡ ብወለዶም ስራሕ ንምንዳይ ዝተራሕቁ ዝተሓደጉ ዘለውዋ ዓዲ ኮይና፡ ብዙሓት ካብቶም ነበርቲ እውን ብጥበብ ስፌት ሃን ተመክሮ ዘለዎም እዮም። እቶም ናይ ከባቢ ውጽኢት ስፌት ግን፡ እቶም ስእልታት ኣብ ውሽጢ ሚእቲ ዓመታት ብዙሕ ለውጢ ስለ ዘይረኸቡ፡ ኣብ ዕዳጋ ብግቡእ ኣይሽየጡን ነበሩ። ስለዚ፡ እቶም ክላሲካል ዝኾኑ ባህርያት ስፌት ብምጽራይን ብምድህሳስን፡ ናብ ዘመናዊ ቅርጺ ፊደላት ተለወጡ፣ እዞም ፊደላት ድማ በቶም ናይ ከባቢ ሰፋይቲ ብኢዶም ይስፈዩ። ዕላማኡ ድማ፡ ኣታዊ ምፍጣርን፡ ነዚ ጥበብ እዚ ብዘመናዊ ናይ ራእይ ቋንቋ ንዝመጽእ ወለዶ ምትሕልላፍን እዩ።
እቲ ኣፍልጦ
ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award
Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Let Parents Stay ፊደል ዓይነት (ታይፕፈይስ) ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።
ድሕሪ እቲ ዲዛይን
ናይ ፕረስ ኪት
ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።
- ፍሉያት ባህርያት
- Jinling Village is a poverty-stricken village with More than 2,000 “left-behind” children. When the designer got there, he was surprised to find that all the local people had mastered certain Han Embroidery skills, but their product not sell well because of the old fashion style. So he worked with the Hubei Han Embroidery Association to help revive the local Han Embroidery culture.
- ዓቐንን ማዕሸግን
- Han Embroidery
- መለለዪታት
- Han Embroidery, Embroidery, Typeface, Pattern, Visual
- ናይ ምፍራይ ቴክኖሎጂ
- Han Embroidery
- ናይ ዲዛይን ብድሆ
- Here is a breakdown of several classic elements from traditional Chinese embroidery patterns. They are abstracted according to modern aesthetics, to reconstruct classic elements, bring out the culture hidden behind the patterns, to master the unchangeable pattern combinations of traditional Chinese embroidery, and produce a brand-new visual language. Creating a typeface composed of extracted Han Embroidery elements and ask the local poverty-stricken embroidery workers to embroider the letters of this font through the techniques of Han Embroidery.
- ምርምር
- Like most handicrafts, Han embroidery has several problems, for example, a long production cycle, a long time cost, low economic benefit, and poor quality. Also, the traditional Han Embroidery patterns have undergone little to no innovation over the past hundred years, so they can’t meet standards of the modern aesthetic, resulting in low consumer recognition.
- ምንጪ ሓሳብ
- In addition to two years of commercial operations, the designer has created a modern typeface, on a trial basis, by extracting the elements of traditional embroidery, deconstructing their texture, and the traditional Jing-Chu Culture, he promoted the inheritance of the old embroidery on the verge of extinction in a modern aesthetic manner, Inheriting tradition and carry on this embroidery craft that is on the verge of extinction by a new typeface, so as to pass down the craft in a modern language.
- ፓተንታት
- Yu Chen
- ኣባላት ጋንታ
- Yu Chen
Xin Wang
Yongshan Zhu
Die Hu
Robin Liu
Shan Li
Yi Gu
Meng Zhu
Sailan Ding - ናይ ስእሊ ክረዲት
- Yu Chen
ስፖንሰር ዝተገብረ
ልዕሊ Designers.org ዳህሰስ
ካብ ናይ ማስታወቂያ መሻርኽትና ፍርያት፣ ኣገልግሎታትን ዕድላትን ፍለጥ።
ተወሳኺ ንምርካብ
ተዛመድቲ ዲዛይናት
ካብ ተመሳሳሊ ምድብ ብብቕዓት ዝተመረጹ ተወሳኺ ሽልማት ዝተዓወቱ ዲዛይናት ድለዩ።
