The Armor ቀዳማይ ተግባር፡ ተኣትሮኣዊ ክዳን ብ Samantha Chijona Garcia and Vladimir Cuenca

ዲዛይን The Armor ቀዳማይ ተግባር፡ ተኣትሮኣዊ ክዳን ብ Samantha Chijona Garcia and Vladimir Cuenca ኣብ ናይ ውድድር ምድብ ንድፊ ስነ-ጥበብ ምድራኽ፣ መድረኽ፣ ኣገባብን ትርኢትን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2020 ናይ ብሩር ሽልማት A' Design Award እዩ።

ብሩርስነ-ጥበብ ምድራኽ· 2020

The Armor ቀዳማይ ተግባር፡ ተኣትሮኣዊ ክዳን

ብ Samantha Chijona Garcia and Vladimir Cuenca

ዓሚል: Jazz Martinez Gamboa

ኣብ ምድብ ስነ-ጥበብ ምድራኽ ተሸላማይ ናይ ብሩር ሽልማት A' Design Award

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ንቁጽሪ #102743 ሽልማት ኣረጋግጽ

ሳይት ብጻሕ ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ The Armor ቀዳማይ ተግባር፡ ተኣትሮኣዊ ክዳን

እቲ ኣጽዋር (Armor) ኣብ ናይ ሸክስፒር ተውኔት መድረኻዊ ምርኢት ንገጸ-ባህርይ ሪቻርድ ሳልሳይ ዝተሰርሐ ተኣትሮኣዊ ክዳን እዩ። እቲ ክዳን ካብ ዝተመላለሰን ዘይጥቀም ንብረትን እዩ ዝተሰርሐ። ሜታላዊ መስመራት ኣብ ሓደ ትዊል ጃኬት ተሰፊኦም ኣለዉ፣ እናተደራረቡ ዝኸዱ ናይ ቆርበት ጋይተር ድማ ብቆርበት ማእሰርን ብቕንዲ ማዕጠቕን ዝተኣሳሰር በበይኑ ኣቃውማ ይፈጥሩ። ናይ ሰንሰለታዊ ኣጽዋር ኢድ ጓንቲ ነቲ ዝባን ኢድ ይዓጹ፣ ብሜታላዊ ጭራ ዝተኸደነ ናይ ቬልቬት ባርኔጣ ድማ ከም ራስ-ጋሻ የገልግል። እቶም ሽዱሽተ ክፋላት ኣብ እዋን እቲ ተውኔት ገጸ-ባህርይ እናተለወጠ ክውሰኹ ወይ ክውገዱ ይኽእሉ። እቲ ንድፊ ንንጉስን ነቲ ኣብ ውሽጡ ዘሎ ተነቃፊ ሰብን ዘንጸባርቕ እዩ።

እቲ ኣፍልጦ

ብዛዕባ ናይ ብሩር ሽልማት A' Design Award

The Armor ቀዳማይ ተግባር፡ ተኣትሮኣዊ ክዳን ናይ ብሩር ሽልማት A' Design Award ዝዓወተ እዩ፣ ንጽቡቓት፣ ልዑላትን ዘስደምምን ላዕለዋይ ደረጃ ዘለዎም ዲዛይናት ዝወሃብ ብዘይተለምደ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ብሩር ፍሉይ ክእለት፣ ተውህቦን ጥበብን ዲዛይነራቶም ዘርእዩ ኣዚዮም ዘብርሁን ብዙሕ ፈጠራውያንን ስራሕቲ እዮም። The Armor ቀዳማይ ተግባር፡ ተኣትሮኣዊ ክዳን ዝበለጸ፣ ምሳሌ ዝኾነ፣ ብኣገዳሲ መገዲ ሞያውን ብዕምቆት ሓድሽን ስራሕ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ብሩር ሽልማት A' Design Award ብዙሕ ዝተራእየን ዝደነቐን ፈጠራ እዩ፣ ጥቕሚ ዘምጽእን ደረት ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዘስፍሕን። The Armor ቀዳማይ ተግባር፡ ተኣትሮኣዊ ክዳን ብብዙሕ ዝቐንኣሉ ፍጥረት እዩ፣ ድሌታት ዘበራብር፣ ጽቡቕ ስምዒታት ዘምጽእን ሰንቢድን ምድናቕን ዘበራብርን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
ዓቐንን ማዕሸግን: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
መለለዪታት: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
ናይ ምፍራይ ቴክኖሎጂ: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
ናይ ዲዛይን ብድሆ: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
ምርምር: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
ምንጪ ሓሳብ: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
ናይ ፕሮጀክት ግዜ: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
ናይ ስርሒት ፍሰት: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
ፓተንታት: Copyrights belong to Chijona, Samantha, 2018
ኣባላት ጋንታ: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
ናይ ስእሊ ክረዲት: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018