Medieval Rethink Маркази Фарҳангии Дубораи Асримиёнагӣ аз QUAD studio

Тарҳи Medieval Rethink Маркази Фарҳангии Дубораи Асримиёнагӣ аз QUAD studio ғолиби шоистаи ҷоизаи бонуфузи 2020 Ҷоизаи нуқрагии A' Design Award дар категорияи мусобиқавии Дизайни меъморӣ, бино ва иншоот мебошад.

НуқраМеъморӣ· 2020

Medieval Rethink Маркази Фарҳангии Дубораи Асримиёнагӣ

аз ҷониби QUAD studio

Муштарӣ: QUAD studio

Ғолиби Ҷоизаи нуқрагии A' Design Award дар категорияи Меъморӣ

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Тарҳ

Дар бораи Medieval Rethink Маркази Фарҳангии Дубораи Асримиёнагӣ

Ретинки асримиёнагӣ як посух ба комиссияи хусусӣ барои сохтани як маркази фарҳангӣ барои як деҳаи хурди пинҳоншуда дар музофоти Гуандун, ки 900 сол ба Династияи Суруд рост меояд. Рушди чорошёнаи 7000 м2 дар атрофи ташаккули санги қадимӣ бо номи Sting Qi, ки рамзи пайдоиши деҳа аст, ҷойгир аст. Консепсияи тарроҳии лоиҳа ба намоиш додани таърих ва фарҳанги деҳаи қадимӣ ва ҳамзамон бо кӯҳна ва нав асос ёфтан асос ёфтааст. Маркази фарҳангӣ ҳамчун як тафсири деҳаи бостонӣ ва табдил ба меъмории муосир мебошад.

Эътироф

Дар бораи Ҷоизаи нуқрагии A' Design Award

Medieval Rethink Маркази Фарҳангии Дубораи Асримиёнагӣ ғолиби Ҷоизаи нуқрагии A' Design Award аст, ки эътирофи фавқулодда обрӯманд буда, ба тарҳҳои сатҳи олӣ, зебо ва таъсирбахш дода мешавад. Ғолибони нуқра асарҳои бағоят дурахшон ва бениҳоят эҷодкоронаанд, ки таҷрибаи барҷаста, истеъдод ва зиракии тарроҳони худро нишон медиҳанд. Интизор меравад, ки Medieval Rethink Маркази Фарҳангии Дубораи Асримиёнагӣ асари аҷоиб ва намунавӣ бошад, ки ба таври назаррас касбӣ ва амиқан навоваронаанд. Ин тарҳи ғолиби Ҷоизаи нуқрагии A' Design Award ихтирои хеле назаррас ва мавриди таҳсин аст, ки судманд аст ва ҳудуди санъат, илм, тарроҳӣ ва технологияро пеш мебарад. Medieval Rethink Маркази Фарҳангии Дубораи Асримиёнагӣ офаридаест, ки бисёриҳо ба он ҳасад мебаранд ва хостаҳоро бедор мекунад, эҳсосоти мусбат меорад ва ҳайрат ва тааҷҷуб ба вуҷуд меорад.

Дар паси тарҳ

Маҷмӯаи матбуотӣ

Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.

Хусусиятҳои беназир: The cultural centre becomes the new destination for villagers to congregate and to socially interact. Here, opportunities arise to great a truly cultural contemporary icon inspired by a historical monument that links old and new.
We make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Андоза ва бастабандӣ: Approx. 7000 square metre GFA
Тегҳо: cultural centre, abstraction, guangdong, songdynasty, dingqistone
Технологияи истеҳсол: Firstly, designers break down the village into components of Positive and Negative space. Defining functions as objects and stitching these objects together to natural courtyards of green space.
They make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Мушкилоти дизайн: Cultural Differences - The cultural centre was designed for the villagers as their space for social interaction. To design the centre, designers had to meet with the villagers and discuss their personal needs for this project. Apart from understanding their culture, the main difficulties come in syphering all their needs and wants information into a design. Only when one to understand their culture can then try to rethink the whole idea of what a cultural centre means to the villager.

The Abstraction – Abstracting the village into the design took a lot of patience and work so that the final design truly depicts the chosen narrative. By stripping off the facade, a picture like frame is left behind. What it does is it focuses audience's eye towards the objects within the frame. If one to superimpose an image of the medieval village in the frame, a framed skyline of the medieval village appears. Abstraction occurs when the skyline is then pixelated. Using dark and light shades of pixels, designers generate an abstraction with a notion of depth. Abstraction creates a shading device and multi layering of the facade together with the objects inside the cultural centre creates a rich composition depicting a visual depth beyond the facade.
Recreating the village – Ultimately, to create a place that will enhance the lives of the villagers. Creating a narrative for the cultural centre not only help the design collective to create a very special place, it is also an attempt to capture an emotional response for any individual visiting the place. The medieval village has already manifested itself in the planning of the functional objects, the facade and also in the internal public realm.
Таҳқиқот: The design team has gone through a thorough research on the context and the history of the Zhu Pu Village, the study has become a very influential part on building a narrative on the project and later being represented through the design of the spaces.
Exploration of the existing village - Walking around the village, inspired by the scale and how man and nature exist in harmony. Beautifully preserved, the village of Zhu Pu dates to the Song dynasty. With its organic concentric planning, it relates itself to many medieval Chinese urban planning principles.
Илҳом: Medieval Rethink was an opportunity to recreate a medieval environment in a contemporary cultural setting. The narrative and design approach of the cultural centre has been extensively explored previously. Located in the norther province of Guangdong, this Contemporary Cultural Centre will not only showcase the history culture of the 900-year-old village, it will also function as a cultural exhibition centre and will attract thousands of visitors from all over the region.
Давомнокии лоиҳа: The project started in August 2017 in an undisclosed Village in Fujian, China.
Ҷараёни кор: As the ground floor is an active floor with many active functions and visitor, the cultural centre is designed to free up the ground plane as much as possible to allow for pedestrian traffic.
Аъзои гурӯҳ: Wai Tang
Kelvin Chu
Landy Liu
Wesley Fung
Samuel Tam
Ҳуқуқи тасвирҳо: Image #1, Pictury
Image #2, Submarina
Image #3, SAN CG
Image #4, SAN CG
Image #5 SAN CG