Kouunji Kyakuden Толори пазироии маъбад аз Hiroaki Iwasa

Тарҳи Kouunji Kyakuden Толори пазироии маъбад аз Hiroaki Iwasa ғолиби шоистаи ҷоизаи бонуфузи 2025 Ҷоизаи биринҷии A' Design Award дар категорияи мусобиқавии Дизайни меъморӣ, бино ва иншоот мебошад.

БиринҷМеъморӣ· 2025

Kouunji Kyakuden Толори пазироии маъбад

аз ҷониби Hiroaki Iwasa

Муштарӣ: Hiroaki Iwasa Architects Workshop

Ғолиби Ҷоизаи биринҷии A' Design Award дар категорияи Меъморӣ

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Дар бораи Kouunji Kyakuden Толори пазироии маъбад

Лоиҳа барои бозсозии толори пазироӣ бо таърихи 140-сола, ки яке аз иншоотҳои ибодатгоҳи буддоӣ Коунҷӣ буд, таҳия карда шуд. Толори қадимии пазироӣ дар тӯли давраи дароз аз ҷониби ҷомеаи маҳаллӣ эҳтиром карда мешуд, аммо, дар натиҷаи вайрон шудани ҷиддии он дар тӯли солҳо, зарурати бозсозӣ ба миён омад. Меъмор ин масъалаҳоро тавассути навсозӣ ва ҳамоҳангсозӣ ҳал кард ва инчунин системаҳоеро таҳия намуд, ки хотироти ҷомеаи маҳаллиро ба насли оянда интиқол диҳанд. Дар натиҷа, толори нави пазироӣ на танҳо ҳисси носталгияро ба даст овард, балки дар контексти таърихӣ низ ҳузури муҳими худро нишон дод.

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Дар бораи Ҷоизаи биринҷии A' Design Award

Kouunji Kyakuden Толори пазироии маъбад ғолиби Ҷоизаи биринҷии A' Design Award аст, ки эътирофи басо обрӯманд буда, ба тарҳҳои барҷаста дода мешавад, ки бо эҷодкорӣ, зеҳни тез ва зиракӣ фарқ мекунанд. Ғолибони биринҷ артефактҳои хеле моҳир ва ба таври ҷолиб эҷодкоронаанд, ки таҷрибаи васеъ, тасаввурот ва зеҳни тарроҳони худро тасдиқ мекунанд. Интизор меравад, ки Kouunji Kyakuden Толори пазироии маъбад ашёи хеле қадршуда, мавриди таҳсин ва маҳбуб бошад, ки ба таври назаррас касбӣ ва навоварона аст. Ин тарҳи ғолиби Ҷоизаи биринҷии A' Design Award беҳтарин амалияро дар санъат, илм, тарроҳӣ ва технология дар бар мегирад ва бо диққати худ ба тафсилот аъло аст. Kouunji Kyakuden Толори пазироии маъбад эҳтиёҷотро бо зебоӣ қонеъ мекунад, ба хостаҳо даст мерасонад, эҳсосотро мафтун месозад ва кунҷковиро ҷалб мекунад.

Дар паси тарҳ

Маҷмӯаи матбуотӣ

Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.

Хусусиятҳои беназир: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Андоза ва бастабандӣ: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Тегҳо: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Технологияи истеҳсол: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Мушкилоти дизайн: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Таҳқиқот: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Илҳом: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Давомнокии лоиҳа: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Ҷараёни кор: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Ҳуқуқи тасвирҳо: Photographer Kozo Takayama