Тарҳи Muse Консептуалӣ аз Michelle Poon ғолиби шоистаи ҷоизаи бонуфузи 2021 Ҷоизаи тиллоии A' Design Award дар категорияи мусобиқавии Дизайни графика, тасвирсозӣ ва иртиботи визуалӣ мебошад.

ТиллоГрафика· 2021

Muse Консептуалӣ

аз ҷониби Michelle Poon

Муштарӣ: Michelle Kason

Ғолиби Ҷоизаи тиллоии A' Design Award дар категорияи Графика

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Рангҳо

Тарҳ

Дар бораи Muse Консептуалӣ

Muse як лоиҳаи тарроҳии таҷрибавӣ мебошад, ки дарки мусиқии инсонро тавассути се таҷрибаи насбкунӣ меомӯзад, ки роҳҳои гуногуни таҷрибаи мусиқиро фароҳам меорад. Якум бо истифода аз маводи термо-фаъол сирф ҳассос аст ва дуввум дарки рамзбандии фазои мусиқиро нишон медиҳад. Охирин тарҷумаи байни нотаҳои мусиқӣ ва шаклҳои визуалӣ мебошад. Одамон ташвиқ карда мешаванд, ки бо насбҳо муошират кунанд ва мусиқиро бо дарки худ визуалӣ омӯзанд. Паёми асосӣ ин аст, ки тарроҳон бояд донанд, ки дарк дар амал ба онҳо чӣ гуна таъсир мерасонад.

Эътироф

Дар бораи Ҷоизаи тиллоии A' Design Award

Muse Консептуалӣ ғолиби Ҷоизаи тиллоии A' Design Award аст, ки эътирофи бениҳоят обрӯманд буда, ба тарҳҳои дараҷаи аввал, аҷоиб ва барҷаста дода мешавад. Ғолибони тилло офаридаҳои бағоят навоварона, дурандешона ва ҷилваноки дурахшонанд, ки нубуғ, хирад ва маҳорати тарроҳони худро инъикос мекунанд. Интизор меравад, ки Muse Консептуалӣ ихтирои хеле ситоишшуда, роҳбаладгузор ва ёдгорӣ бошад, ки арзиши бесобиқа меорад. Ин тарҳи ғолиби Ҷоизаи тиллоии A' Design Award лоиҳаи тамошобоб ва мӯҳтарам аст, ки хеле судманд аст ва ҳудуди санъат, илм, тарроҳӣ ва технологияро пеш мебарад. Muse Консептуалӣ эҳсосоти шадиди хоҳишро ба вуҷуд меорад, шӯру шавқро бедор мекунад, эҷодкориро рағбат мебахшад ва моро мафтун месозад.

Дар паси тарҳ

Маҷмӯаи матбуотӣ

Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.

Хусусиятҳои беназир: Muse is an experimental design project studying the musical perception of the human through three installation experiences, two sensational and one logical. People are encouraged to interact with the installations and explore the music visually with their own perception. We try to understand how people understand music here.
Андоза ва бастабандӣ: The exhibition is proposed to be in Hong Kong Museum of Art Gallery 4. It includes three installations which is 2m x 2m x 3m each for two of the cylinder exhibits (the Senses and Shades) and three tables for the third interactive exhibit (the Table).

There are also a set of printed materials, such as poster, brochures, printed and digital tickets, which align back to the exhibition brand.
Тегҳо: exhibition, music, perception, visual communication, graphic design, experiement, conceptual
Технологияи истеҳсол: Thermo-active fabric for the Senses.
Acrylic Tiles for the Table.
Antalis Skin Paper for printed matierals.
Мушкилоти дизайн: Research part:

With the current situation of coronavirus, I could not provide an extensive performance that surrounds the participants. This makes sensing spatiality less specific than in under a real performance as participants could only rely on their imaginations while listening to their headphones.

Creative part:

I stuggled to code or turn raw data into infographics or coded graphics. The topic of 'musical Perception' digs very deep into human psychology and it is somehow hard for anybody to understand the final deliverables. I developed a many possibilities before coming up wth using simple and minimalistic approach to code the raw dats collected.
Таҳқиқот: Readings:

Perception is ineffable. Any written language on the earth failed us in fully communicating perceptions. Perception could be sensed and understood, but not necessarily be spoken. This situation is even more significant when it comes to music as music is often known to be ‘expressive’, ‘intangible’ and ‘free flow’. Music is something that could not be 100% translated to verbal communication. Music is so vague that perception plays a really big role on how we feel and are moved about it.

Musical Experiment:

A group of audience were asked to finish a set of doodles while surrounded by a group of choral performers. From the results, it is understood that human focus on differences and similarities, ups and downs, stable sounds and changes, as well as flat tones and big contrasts. Human always try to find repetitive patterns in a song, which is a reference of what we have always been exposed to.
Илҳом: The name ‘Muse’ is taken from the inspiration of Greek mythology. The Greek goddesses of art & music are the Muses. They are known as one entity, though there are actually 9 of them and each is unique in their own way. Its resonances with the concept of perception as perception could be understood universally to some extent, though still unique among each of us.
Давомнокии лоиҳа: The project started dwith the research stage from September 2019 to January 2020, and the execution stage from January 2020 to June 2020.
Ҷараёни кор: We perceive an object through sensations from our body and also our logical mindset which make sense of the sensations. Yet the channels for perceiving music is not limited to our ears only, but our eyes which see the performance, our hands and our bodies which feel the bass beat and frequencies. These information collected from the senses are sent to our brain to construct meaning and perception paved in to help making sense of the information collected.
Патентҳо: Copyrights belong to Michelle Kasom, 2020
Ҳуқуқи тасвирҳо: Michelle Kason