Ruka hadi maudhui
Osso Kiti na Wongsun Yoo

Muundo Osso Kiti na Wongsun Yoo ni mshindi mashuhuri wa tuzo ya kifahari ya 2025 Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Samani.


FedhaSamani· 2025

Osso Kiti

na Wongsun Yoo

Mteja: Yoo Wongsun

Mshindi wa Tuzo ya Fedha ya A' Design Award katika Kategoria ya Samani

54,995

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #167154

Rangi

Muundo

Kuhusu Osso Kiti

Kiti cha Osso kinavutia uangalifu kwa umbo lake la kipekee. Kiti hiki ni cha Baroque na Minimalist kwa pamoja, kikiwa na boriti zilizopinda, sehemu ya kukalia iliyopindika, na msaada wa mgongo wenye umbo la duara uliowekwa tabaka tabaka hadi nyuma kama uti wa mgongo, kwa hivyo jina Osso. Ingawa viungo vyake vinaonekana kuwa rahisi, muundo huo unafuata kanuni za kiusanifu jengo kwa ajili ya nguvu na mtindo, unaokumbusha usanifu wa kimila wa Ki-mashariki. Katika ushirikiano kati ya mbuni mchanga na waseremala wa samani wa Kifaransa wenye uzoefu wa Brimbois, muundo umeongezewa thamani kwa kutumia mbinu za karne moja na malekezo ya mwisho katika vipande vipya vya kisasa.

Utambuzi

Kuhusu Tuzo ya Fedha ya A' Design Award

Osso Kiti ni mshindi wa Tuzo ya Fedha ya A' Design Award, utambuzi wenye heshima kubwa ya ajabu unaotolewa kwa miundo ya hali ya juu kabisa, ya kupendeza na ya kuvutia. Washindi wa Fedha ni kazi zinazong'aa mno na bunifu kupita kiasi zinazoonyesha utaalamu bora, kipaji na busara ya wabunifu wao. Osso Kiti inatarajiwa kuwa kazi nzuri ya kuigwa ambayo ni ya kitaalamu kwa kiasi kikubwa na yenye ubunifu wa kina. Muundo huu ulioshinda Tuzo ya Fedha ya A' Design Award ni uvumbuzi unaojulikana sana na kupendwa, unaonufaisha na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. Osso Kiti ni kazi inayotamaniwa mno inayochochea hamu, huleta hisia chanya na huzua mshangao na mastaajabu.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee
While the joineries appear effortless, much like bones, the framework is informed by architectural principles that enhance structural integrity while creating a visually dynamic rhythm reminiscent of traditional Oriental architecture. Rather than relying on thick, bulky materials for stability, the beams curve and interlace to form a cross-bracing structure. This allows the chair to support a concave seat that follows the contours of human anatomy, reducing pressure points compared to flat seats. The gap between the double columns at the back naturally accommodates the horizontal components, seamlessly supporting the plates and reinforcing the design's harmony.
Vipimo na Ufungashaji
Width 710mm x Depth 550mm x Height 835mm
Lebo
Heritage driven design, Fusion of tradition and technology, Ergonomic design, Comfortable seating, Craftsmanship, Timber structure, Sustainability
Teknolojia ya Uzalishaji
The production process bridges technology and craftsmanship. On one side, a strong focus on geometry and modularity resulted in extrusion based forms from 3 - 5cm planks of timber, that ensures a CNC manufacturing process. On the other, luxurious finishes to seamless joineries were developed in partnership with French cabinetmaker, Brimbois, bringing back century old techniques. The result is a black stained wood adds a modern, minimalist elegance while allowing the grain texture to subtly remain visible.
Changamoto ya Ubunifu
The chair’s complexity lies in the precision of its joints, which meticulously connect each component. To achieve a minimal yet effortless silhouette, the design drew inspiration from bone joints where structural integrity is maintained while elements naturally interlock. This concept was expressed through the intentional exposure of rounded edges at the joinery. The prototype’s fabrication involved close collaboration with the manufacturer. Each element was individually stained before assembly, ensuring a uniform, seamless black finish across all joint points.
Utafiti
The research aimed to achieve ergonomic comfort in a solid surface, offering an alternative to upholstered furniture. This led to an exploration of seat and backrest angulation, as well as a subtly curved seat plate for better anatomical support. Using VR technology, multiple prototypes were tested to refine ergonomics. In collaboration with French cabinetmakers Brimbois, locally sourced ash wood from Franche-Comte was used. A detachable 3cm upholstered plate was also developed for added versatility. Debuting at Paris Design Week 2023 at the Salon Atelier de France, the chair received valuable feedback from designers, architects, and gallery owners. This led to the addition of 5cm timber toes, which can be trimmed to adjust seat height without altering the design.
Msukumo
Osso draws inspiration from traditional Oriental architecture and the natural bone structures. The design embodies principles of balance, proportion, and craftsmanship, employing wood joineries that exemplify the precision of enduring architectural techniques. The back of the chair is designed as its second façade, where the horizontal structural components come together like the bones of a spine, hence, Osso. These elements combine to create a chair that is both functional and sculptural, blending tradition with nature in a clean and harmonious design.
Muda wa Mradi
The chair was designed in January 2024 and the first prototype was made in June 2024, both in Paris.
Mtiririko wa Uendeshaji
The chair emphasises on the negative space, of the space that is left from the object. Through its open-back frame and three-legged structure, it embodies openness and lightness. The seat, following a subtle curve seems to float above the frame. This method enhances comfort while creating a striking silhouette imparting a sculptural quality to the object. This dynamic interplay of light and shadow adds depth to the surrounding space, elevating the chair not only as practical furniture but also as a refined architectural statement.
Hataza
Wongsun Yoo
Wanatimu
Wongsun Yoo
Haki za Picha
Wongsun Yoo

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