Muundo New Year Mchoro na Jui-Ping Lee ni mshindi mashuhuri wa tuzo ya kifahari ya 2024 Tuzo ya Chuma ya A' Design Award katika Kategoria ya Mashindano ya Sanaa ya Dijitali.

ChumaSanaa ya Dijitali· 2024

New Year Mchoro

na Jui-Ping Lee

Mshindi wa Tuzo ya Chuma ya A' Design Award katika Kategoria ya Sanaa ya Dijitali

52,919

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #158137

Tembelea Tovuti Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu New Year Mchoro

Katika ua wa utulivu, katikati ya theluji inayoelea kwa upole wakati wa baridi na rangi za kung'aa za majani ya vuli, ameketi umbo la umaridadi aliyevaa Kimono ya ajabu. Mandhari hii inajumuisha kiini cha Wabisabi, ikiakisi uzuri wa upweke na utulivu. Mifumo laini inapamba kitambaa, hasa Misonobari, inayosimba heshima; na Seigaiha yenye mdundo inayowakilisha utulivu wa bahari. Kukuza mandhari kunadhihirisha maelezo magumu zaidi, bamba la jiwe lenye jina la kalamu la msanii liko upande wa kushoto; na juu ya Kimono, mifumo ya panya inayowakilisha mwaka mpya wa 2020, mwaka wa panya.

Utambuzi

Kuhusu Tuzo ya Chuma ya A' Design Award

New Year Mchoro ni mshindi wa Tuzo ya Chuma ya A' Design Award, utambuzi wenye heshima unaotolewa kwa miundo mizuri inayokidhi mahitaji ya kitaalamu na ya kiviwanda yanayotarajiwa kutoka kwa kazi zilizobuniwa vizuri. Washindi wa Chuma huonyesha ustadi mkubwa, utaalamu wa hali ya juu, uelewa wa kitaalamu na uwezo wa kibunifu wa waumbaji wao. New Year Mchoro inatarajiwa kuwa kazi inayothaminiwa sana, kupendwa na kuenziwa, ambayo ni ya vitendo na bunifu. Muundo huu ulioshinda Tuzo ya Chuma ya A' Design Award unajumuisha mbinu bora za tasnia na una sifa za kiufundi zenye uwezo zilizounganishwa na ujuzi na kipaji. New Year Mchoro inaheshimiwa kwa uangalifu wake na imebuniwa kutoa maboresho ya ubora wa maisha yanayosaidia kuufanya ulimwengu kuwa mahali bora zaidi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Vipimo na Ufungashaji: Original dimensions at 5600*3150 px, with 935 canvas layers
Lebo: Illustration, Kimono, Furisode, Kouyou, Karesansui
Teknolojia ya Uzalishaji: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Changamoto ya Ubunifu: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Utafiti: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Msukumo: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Muda wa Mradi: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Mtiririko wa Uendeshaji: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.