Porous Manifold Japansk Tesalong av Ryumei Fujiki and Yukiko Sato

Designen Porous Manifold Japansk Tesalong av Ryumei Fujiki and Yukiko Sato är en högt ansedd vinnare av den mycket prestigefyllda 2019 A' Design Award i Silver i tävlingskategorin Konst- och Konstinstallationsdesign.

SilverKonst· 2019

Porous Manifold Japansk Tesalong

av Ryumei Fujiki and Yukiko Sato

Klient: F.A.D.S + Fujiki Studio, KOU::ARC

Vinnare av A' Design Award i Silver i kategorin Konst

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Designen

Om Porous Manifold Japansk Tesalong

Detta är ett tillfälligt japanskt terum som ställs ut i Echigo-tsumari Art Triennale 2018 och har en kapslad struktur med två tatami-utrymme inbäddat i tio fots kvadrat. I denna utställning ombads arkitekter att svara på temat hur man kan övervinna konceptet med homogent utrymme som var dominerande under 1900-talet. Skelettet designades med hjälp av det slumpmässiga mönstret som kallades Voronoi Division för att förvränga homogent utrymme. Och det föreslogs att arkitekturen med ett stort antal hål kunde öppnas och stängas efter behov för att kommunicera med utsidan som en levande varelse.

Erkännandet

Om A' Design Award i Silver

Porous Manifold Japansk Tesalong är vinnare av A' Design Award i Silver, ett utomordentligt prestigefyllt erkännande som tilldelas förstklassiga, hänförande och imponerande designverk i toppskiktet. Silvervinnare är oerhört briljanta och utomordentligt kreativa verk som illustrerar sina formgivares enastående expertis, talang och skarpsinne. Porous Manifold Japansk Tesalong förväntas vara ett underbart paradexempel som är anmärkningsvärt professionellt och djupt innovativt. Detta vinnande verk i A' Design Award i Silver är en mycket uppmärksammad, beundrad uppfinning som gagnar och flyttar fram gränserna för konst, vetenskap, design och teknik. Porous Manifold Japansk Tesalong är en skapelse som avundas starkt, som väcker längtan, förmedlar positiva känslor och väcker förundran och häpnad.

Bakom designen

Presskit

Erkännanden, teammedlemmar och tekniska detaljer tillhandahållna av designern.

Unika egenskaper: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimensioner & förpackning: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Taggar: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Produktionsteknik: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Designutmaning: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Forskning: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiration: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Projektlängd: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Arbetsflöde: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patent: F.A.D.S + Fujiki Studio, KOU::ARC
Teammedlemmar: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Bildkrediteringar: Masahiro Hoshida, Fujiki Studio, KOU::ARC