Changes Cycles and Shapes Digital Konst av Yuko Suzuki

Designen Changes Cycles and Shapes Digital Konst av Yuko Suzuki är en högt ansedd vinnare av den mycket prestigefyllda 2025 A' Design Award i Guld i tävlingskategorin Generativ, Algoritmisk, Parametrisk och AI-assisterad Design.

GuldGenerativ· 2025

Changes Cycles and Shapes Digital Konst

av Yuko Suzuki

Klient: Feral File

Vinnare av A' Design Award i Guld i kategorin Generativ

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Färger

Designen

Om Changes Cycles and Shapes Digital Konst

Detta verk utforskar frågan, Vad är måleri? genom att uttrycka cirkulationen av visuella uttryck. Inspirerat av övergångar i Mondrians målningar, baseras det på ett komponentdiagram för måleri, där form rör sig mellan figurativt och abstrakt, och mellan brus och linjäritet - en idé som tillämpas på färg. Verket framkallar det skiftande tillståndet av digital materialitet och betonar att former mellan förändringar utgör essensen. Genom att inkorporera texturer tryckta med baren, återspeglar det konstnärens identitet som grafiker i digital form.

Erkännandet

Om A' Design Award i Guld

Changes Cycles and Shapes Digital Konst är vinnare av A' Design Award i Guld, ett oerhört prestigefyllt erkännande som tilldelas förstklassiga, underbara och enastående designverk. Guldvinnare är utomordentligt innovativa, visionära och glamoröst bländande skapelser som speglar sina formgivares briljans, visdom och skicklighet. Changes Cycles and Shapes Digital Konst förväntas vara en högt prisad, trendsättande och monumental uppfinning som levererar oöverträffat värde. Detta vinnande verk i A' Design Award i Guld är ett spektakulärt, respekterat projekt som i hög grad gagnar och flyttar fram gränserna för konst, vetenskap, design och teknik. Changes Cycles and Shapes Digital Konst skapar intensiva känslor av längtan, väcker passion, uppmuntrar kreativitet och fascinerar oss.

Bakom designen

Presskit

Erkännanden, teammedlemmar och tekniska detaljer tillhandahållna av designern.

Unika egenskaper: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensioner & förpackning: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Taggar: Generative Art, Coding
Produktionsteknik: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Designutmaning: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Forskning: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiration: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Projektlängd: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Arbetsflöde: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Bildkrediteringar: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.