Designen Yinyun Keramisk konstinstallation av Fabcraft Design Lab är en högt ansedd vinnare av den mycket prestigefyllda 2020 A' Design Award i Brons i tävlingskategorin 3D-utskrifts- och Produktdesign.
Brons3D-utskrift· 2020
Yinyun Keramisk konstinstallation
Klient: Fabcraft Design Lab
Vinnare av A' Design Award i Brons i kategorin 3D-utskrift
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Om Yinyun Keramisk konstinstallation
Yinyun är en keramisk konstinstallation som består av 85 unika 3D-printade enheter. Generativa designalgoritmer användes för att extrahera elektrisk data och visualisera denna data på varje enhet, vilket tillsammans skapar en gradienteffekt. Enheterna tillverkades genom keramisk 3D-printing, med en blandning av vitt porslin och kolaska återvunnen från ett kraftverk. Printprocessen skapar även en detaljerad ytreliefstruktur på varje enskild del. Inga två enheter är likadana. Installationen är permanent placerad i en utställningshall i Taipei, Taiwan.
Erkännandet
Om A' Design Award i Brons
Yinyun Keramisk konstinstallation är vinnare av A' Design Award i Brons, ett högst prestigefyllt erkännande som tilldelas enastående designverk som utmärker sig genom kreativitet, uppfinningsrikedom och klokhet. Bronsvinnare är mycket skickliga och slående kreativa föremål som styrker formgivarnas stora erfarenhet, fantasi och påhittighet. Yinyun Keramisk konstinstallation förväntas vara ett högt skattat, beundrat och älskat föremål som är anmärkningsvärt professionellt och innovativt. Detta vinnande verk i A' Design Award i Brons införlivar bästa praxis inom konst, vetenskap, design och teknik och är utmärkt genom sin omsorg om detaljer. Yinyun Keramisk konstinstallation tillfredsställer fantastiskt behov, rör vid längtan, charmar känslor och väcker nyfikenhet.
Bakom designen
Presskit
Erkännanden, teammedlemmar och tekniska detaljer tillhandahållna av designern.
- Unika egenskaper
- Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
- Dimensioner & förpackning
- Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
- Taggar
- ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
- Produktionsteknik
- The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
- Designutmaning
- In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
- Forskning
- The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
- Inspiration
- The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
- Projektlängd
- The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
- Arbetsflöde
- The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
- Teammedlemmar
- Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen - Bildkrediteringar
- Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab
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