Uncomfortable Immersion Toolkit Pangrojong Kaduka ku Chloe Marcela Coelho

Karya Uncomfortable Immersion Toolkit Pangrojong Kaduka ku Chloe Marcela Coelho nyaéta pamenang anu dihormat pisan tina 2020 A' Design Award Beusi anu bergengsi dina Katégori Kompetisi Sosial.

BeusiSosial· 2020

Uncomfortable Immersion Toolkit Pangrojong Kaduka

ku Chloe Marcela Coelho

Klién: Chloe Marcela Coelho

Pamenang A' Design Award Beusi dina Katégori Sosial

18,833

Pamenang Panghargaan anu Diverifikasi

Verifikasi Status Panghargaan pikeun #88749

Buka Situs Tingali di A' Design Award Siaran Pers Lencana Panghargaan

Warna

Désain

Ngeunaan Uncomfortable Immersion Toolkit Pangrojong Kaduka

Uncomfortable Immersion nyaéta toolkit pangrojong kaduka pikeun rumaja anu kaduhung ku maot batur anu dipikacinta. Toolkit ieu museur kana buku pituduh anu ngabantosan para nonoman ngawangun obyék ritual pribadi sarta ngolah rasa leungit dumasar kana lecetan sorangan. Aya kalung tumbal anu wangunna dijieun tina tanda tangan jalma anu dipikacinta, dicitak 3D ngagunakeun PLA sarta dicetak dina pérak sterling. Salian ti éta, aya samping sutra anu dicitak surat ti nu maot ngagunakeun tinta thermochromic, anu bakal jadi transparan lamun suhuna di luhur 27 derajat Celsius, ku kituna kecap-kecapna bakal némbongan ngaliwatan sentuhan. Métode desain anu museurkeun ka manusa (human-centred design) dijadikeun tuntunan dina karya ieu, anu tujuanana pikeun méré rojongan lila sanggeus acara pamakaman réngsé.

Pangakuan

Ngeunaan A' Design Award Beusi

Uncomfortable Immersion Toolkit Pangrojong Kaduka mangrupa juara A' Design Award Beusi, pangakuan anu bergengsi anu dipasihkeun ka desain alus anu minuhan sarat profésional jeung industri anu diharepkeun tina kréasi anu dirarancang alus. Para juara Beusi nunjukkeun kaahlian anu hébat, spésialisasi anu luhur, pamahaman ahli jeung kamampuh kréatif para kréatorna. Uncomfortable Immersion Toolkit Pangrojong Kaduka diharepkeun jadi kréasi anu dihargaan, dikagumi jeung dipikanyaah anu praktis jeung inovatif. Desain juara A' Design Award Beusi ieu ngalebetkeun prakték pangalusna industri sarta ngabogaan ciri téknis anu mampuh pakait jeung pangweruh praktis jeung bakat. Uncomfortable Immersion Toolkit Pangrojong Kaduka dihormat pikeun katelitianana sarta dirarancang pikeun méré paningkatan kualitas hirup anu mantuan ngajadikeun dunya tempat nu leuwih hadé.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik: The project explores the way that our society deals with grief; particularly in adolescents. It considers the emotional complexities within grief and the socio-cultural misconceptions. Using Human-Centred Design, a grief book was created to guide the bereaving to construct ritual objects which help the adolescent process and comprehend at their own pace, while maintaining important metaphysical relationships with the deceased. Personal autonomy was strongly encouraged in their grief journey.
Diménsi & Bungkusan: 'Without Expectation' by Chloe Marcela Coelho - Width 176 mm x Depth 5 mm x Height 250 mm
Signature Pendant - Width 35 mm x Depth 2 mm x Height 50 mm
Grief Scarf - Width 900 mm x Depth 0.5 mm x Height 900 mm
Tag: Grief, Death, Ritual, Empathy, Social Impact, Adolescence, Support, Mourning, Pendant, Scarf
Téknologi Produksi: The companion artefact to the grief book, 'Without Expectations', was a pendant made from the signature of a loved one which was 3D printed in PLA and cast in sterling silver. The grief scarf uses a unique black thermochromic ink that becomes transparent above 27C. This was infused into silk containing a printed letter from their lost loved one, that only appears with the ritualistic gesture of touch. The novel manufacturing process for the resultant scarf required many iterations to perfect.
Tantangan Desain: Institutionalized death has misconstrued grief in our society. Grievers are expected to avoid emotional depth and showing vulnerability, especially for teenagers. This alienates and discourages teenagers from dealing with grief in a healthy manner. During vast physical and mental changes, reworking identities and shifting parental dynamics, a loved one's death is crushing. While initial support around the funeral is crucial, support is often scarce months after a death when it's needed most.
Panalungtikan: Uncomfortable Immersion uses human-centred and service design ideas to provide an empathic toolset for grieving adolescents. Extended research into existing literature, interviews about loss and evaluation from psychologists and deathcare specialists provided a foundation for new concepts around grief care. The project has been heavily requested and discussed in relation to personal memorials and discourse in deathcare field. As well allowing exploration of my personal experience of loss.
Inspirasi: Grief is a universal aspect of the human condition that is rarely discussed in western society, which often frames grief as a 'stage' for people to overcome with most support occurring during the funeral. However, new frameworks suggest that grief is an ongoing process. This leaves long-term grievers without support or agency, creating unnecessary suffering. Embracing my personal experience of losing my mother at thirteen has shown me that grief is not something to be rushed or prescribed.
Durasi Proyék: The project was started in March 2018 as part of the Honours Project in Bachelor of Industrial Design (Honours) at RMIT University (City Campus). The project was completed in November of 2018.
Alur Operasi: Without Expectation is a practical guide for adolescents in a time of loss. It approaches the subject with sensitivity, that respects the maturity and hardship the teenager has unwittingly embarked upon. Through the use of approachable stories about grief and transformation, the user is informed of harmful fallacies that are common in western society. It promotes concepts of death literacy and ritualism in mourning, including a memorial pendant and a scarf with handwriting from the deceased.
Patén: Copyrights belong to Chloe Marcela Coelho, 2019