Karya Flora Octopus Bros ku Nana Watanabe nyaéta pamenang anu dihormat pisan tina 2026 A' Design Award Perunggu anu bergengsi dina Katégori Kompetisi Perhiasan.

PerungguPerhiasan· 2026

Flora Octopus Bros

ku Nana Watanabe

Klién: Nana Watanabe

Pamenang A' Design Award Perunggu dina Katégori Perhiasan

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Verifikasi Status Panghargaan pikeun #176096

Buka Situs Tingali di A' Design Award Siaran Pers Lencana Panghargaan

Warna

Désain

Ngeunaan Flora Octopus Bros

Bros Flora Octopus ngahijikeun perhiasan kontémporér jeung patung sulaman, nampilkeun wangun anu hampang tapi volumeus anu diilhaman ku sato laut anu dibayangkeun. Gaganti logam atawa batu konvénsional, ieu ngagunakeun benang daur ulang jeung organza pikeun nyieun tékstur, kalancaran, sarta gerak organik. Konstruksi sulaman tilu diménsi ieu ngagambarkeun kalestarian jeung inovasi, sedengkeun paduan warna anu caang ngarobah benang jadi médium patung. Bros ieu jadi hiasan sakaligus pernyataan, nonjolkeun kaahlian seni jeung kasadaran ékologis dina perhiasan kontémporér.

Pangakuan

Ngeunaan A' Design Award Perunggu

Flora Octopus Bros mangrupa juara A' Design Award Perunggu, pangakuan anu pohara bergengsi anu dipasihkeun ka desain unggul anu dicirikeun ku kréativitas, kacerdikan jeung kawaspadaan. Para juara Perunggu téh artéfak anu lobaan kaahlian jeung kréatif pisan anu ngabuktikeun pangalaman anu lega, imajinasi jeung kacerdasan para désainerna. Flora Octopus Bros diharepkeun jadi objék anu dihargaan, dikagumi jeung dipikanyaah anu profésional jeung inovatif. Desain juara A' Design Award Perunggu ieu ngalebetkeun prakték pangalusna dina seni, élmu, desain jeung téknologi, sarta unggul dina perhatian kana détail. Flora Octopus Bros minuhan kabutuhan kalayan éndah, nyentuh kahayang, nyenangkeun rasa, jeung narik rasa panasaran.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik: Flora Octopus Brooch combines textile embroidery with sculptural jewelry design, creating a lightweight yet voluminous form that resembles an imaginary marine creature. Unlike conventional jewelry made of metal or stones, it uses threads to express texture, fluidity, and movement. Its unique fusion of embroidery and three-dimensional construction highlights sustainability and artistry, offering a distinctive alternative in contemporary jewelry.
Diménsi & Bungkusan: Dimensions: 16 x 18 x 15 cm
Weight: approx. 10 g
Materials: recycled polyester fabric, brass fittings, nylon.
Despite its voluminous size, the brooch is extremely lightweight, ensuring comfort and making it suitable even for delicate fabrics. The design balances artistic presence with everyday practicality. The packaging is made from recyclable paper, further emphasizing the brand's commitment to sustainability.
Tag: Embroidery, Textile Jewelry, Sculptural Brooch, Sustainable Design, Recycled Materials, Organza, Tulle, Transparency, Nature Inspired, Marine Aesthetics, Innovative Craft, Ethical Jewelry
Téknologi Produksi: The brooch is created by layering recycled polyester organza with high-precision machine embroidery, then hand-assembling the pieces into a sculptural form. Instead of relying on traditional jewelry materials such as metal or gemstones, the design employs thread as a primary medium to construct a three-dimensional organic structure. This innovative approach redefines the boundaries of jewelry design, combining lightness, sustainability, and artistry in a single piece.
Tantangan Desain: The greatest challenge was transforming soft materials such as thread and fabric into a sculptural form that could maintain its structure. Conventional methods failed to provide stability, which led to the development of an original sewing and assembly technique. Another difficulty was to ensure durability while keeping the piece lightweight, so that it could be safely worn even on delicate fabrics. This was achieved through extensive material research and close collaboration with embroidery specialists. Furthermore, by filling the interior with loosely arranged tulle instead of tightly packed wadding, the design introduces a sense of air and transparency. The inner tulle subtly shines through the outer organza in a gradient effect, capturing the translucent and poetic beauty of creatures that inhabit the sea.
Panalungtikan: This research set out to challenge the historical paradigm of jewelry design, which has traditionally relied on metals and gemstones, by exploring the potential of textiles as a primary medium. Through the observation of natural forms, material experimentation, and iterative prototyping, a unique methodology was developed to sculpt fabric into three-dimensional structures. In particular, the layering of organza on the exterior with softly inserted tulle inside creates an airy volume with translucency and subtle gradients of color. This technique evokes the ethereal beauty of marine life, with its transparent and fluid qualities. The result is a piece that is not only lightweight and sustainable but also expands the boundaries of jewelry, traversing the realms of fashion, craft, and art.
Inspirasi: The design was inspired by the organic beauty of marine life, particularly the graceful yet mysterious form of an octopus. By combining floral motifs with oceanic imagery, it symbolizes both fragility and strength, evoking a sense of an imaginary paradise where nature and fantasy intertwine.
Durasi Proyék: The project began in April 2025 in Fujisawa, Kanagawa, and was completed in June 2025. It was first unveiled at a solo exhibition in Tokyo in the same month, where it was introduced as a new approach to contemporary jewelry expression.
Alur Operasi: The brooch is easily attached by inserting the pin through fabric, offering a secure yet lightweight hold that does not damage even delicate garments. Once worn, it instantly transforms ordinary attire into an artful statement, embodying the organic beauty of nature. More than a decorative accessory, it offers a sensorial and expressive experience, allowing the wearer to carry a piece of sculptural poetry as part of their personal style.
Krédit Gambar: Photographer: Sayuka Tanaka, 2025