Crossing Walls Imah, Kantor ku Satoshi Fujinaka

Karya Crossing Walls Imah, Kantor ku Satoshi Fujinaka nyaéta pamenang anu dihormat pisan tina 2026 A' Design Award Perunggu anu bergengsi dina Katégori Kompetisi Arsitéktur.

PerungguArsitéktur· 2026

Crossing Walls Imah, Kantor

ku Satoshi Fujinaka

Klién: Daijiro Yoshihara

Pamenang A' Design Award Perunggu dina Katégori Arsitéktur

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Verifikasi Status Panghargaan pikeun #174571

Buka Situs Tingali di A' Design Award Siaran Pers Lencana Panghargaan

Warna

Désain

Ngeunaan Crossing Walls Imah, Kantor

Crossing Walls nyaéta wangunan anu ngagabungkeun kantor di lanté handap jeung imah di lanté luhur. Tilu témbok wangun L misahkeun tur silih patalikeun, sarta wangun kubus dipisah-pisah pikeun nyiptakeun rohangan anu muka jeung nutup. Témbok-témbokna miboga hubungan anu saimbang jeung lingkungan sabudeureunana, ngantepkeun cahaya jeung hawa asup bari privasi tetep kajaga. Posisi jandéla direncanakeun pikeun ngadalikeun cahaya panonpoé, beban panas, jeung pamandangan ka luar. Rohangan kosong anu muka ka langit ngahubungkeun bagian jero jeung bagian luar. Strukturna nuturkeun konstruksi kayu tradisional Jepang dina grid 910 milimeter, anu ngahémat bahan sarta diantep katémbong.

Pangakuan

Ngeunaan A' Design Award Perunggu

Crossing Walls Imah, Kantor mangrupa juara A' Design Award Perunggu, pangakuan anu pohara bergengsi anu dipasihkeun ka desain unggul anu dicirikeun ku kréativitas, kacerdikan jeung kawaspadaan. Para juara Perunggu téh artéfak anu lobaan kaahlian jeung kréatif pisan anu ngabuktikeun pangalaman anu lega, imajinasi jeung kacerdasan para désainerna. Crossing Walls Imah, Kantor diharepkeun jadi objék anu dihargaan, dikagumi jeung dipikanyaah anu profésional jeung inovatif. Desain juara A' Design Award Perunggu ieu ngalebetkeun prakték pangalusna dina seni, élmu, desain jeung téknologi, sarta unggul dina perhatian kana détail. Crossing Walls Imah, Kantor minuhan kabutuhan kalayan éndah, nyentuh kahayang, nyenangkeun rasa, jeung narik rasa panasaran.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik: We will try to solve the problem by manipulating the wall so that the office on the first floor and the life on the second floor, communication and privacy, can be compatible with each other.
The cube is disassembled and the three L shaped walls separate and intertwine with each other.
These three L shaped walls manipulate the open and closed spaces and maintain a moderate relationship with their surroundings.
Light and wind enter the building and begin to vaguely connect it to the outside.
Diménsi & Bungkusan: wooden Site area 176.34㎡ Total Floor area 138.37㎡ The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Tag: House , Oficce , Japan , Walls , Wood
Téknologi Produksi: The building uses a standard Japanese wooden structure with a span of 910 mm.
Most building materials in Japan follow this module, resulting in significant material and energy savings.
The wooden structure is shown in a cosmetic manner to pursue beauty and rationality.
Tantangan Desain: While keeping the space needed by the client within a limited area and budget,
While considering the position of sunlight and adjusting the position of windows to control the heat load,
The window arrangement is planned to control the external line of sight and to create an ambiguous connection with the outside.
Panalungtikan: The research for this project is divided into two themes.
The first is a study of how to maximize the natural environment and required space on a limited site area.
The second is to consider total cost management and cost management of each material within a limited budget.
How to solve these two themes in architecture is both an interesting and difficult challenge.
Inspirasi: The planned site is a borderline location where new places and old places mix.
By opening the walls to the outside, the office tried to create appropriate and diverse relationships to maintain the community and revitalize the city.
The living space blends with the exterior space through the gaps in the walls while ensuring privacy and bringing light into the interior.
And by creating a void to the sky, the entire building breathes and releases its spirit to the sky.
Durasi Proyék: Design began in Hiroshima in 2022 and construction was completed in December 2024.
Alur Operasi: This building was planned as a boundary between the newly developed environment in the newly rezoned area and the old shopping area, where the old and the new mix.
The project was planned to solve the problem of how to realize an architecture that allows people to feel close to nature while ensuring privacy, while reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself in such a location.
Anggota Tim: Satoshi Fujinaka
Krédit Gambar: Photo , Kenji Masunaga