Jinglan Bay Art Puseur Penjualan ku Nic Lee

Karya Jinglan Bay Art Puseur Penjualan ku Nic Lee nyaéta pamenang anu dihormat pisan tina 2024 A' Design Award Perak anu bergengsi dina Katégori Kompetisi Interior.

PerakInterior· 2024

Jinglan Bay Art Puseur Penjualan

ku Nic Lee

Klién: China Resources Land South China Guangxi Co.

Pamenang A' Design Award Perak dina Katégori Interior

22,229

Pamenang Panghargaan anu Diverifikasi

Verifikasi Status Panghargaan pikeun #152974

Buka Situs Tingali di A' Design Award Siaran Pers Lencana Panghargaan

Warna

Désain

Ngeunaan Jinglan Bay Art Puseur Penjualan

Jinglan Bay Art nyaéta interior puseur penjualan anu perenahna di Liuzhou, hiji wewengkon pagunungan anu caina ngagulidag. Interiorna ngawengku 1705 méter pasagi sarta ngawengku wewengkon resepsi, penjualan, paméran, média digital, jeung VIP. Batan niron bentang alam ku wangun-wangun, cahaya jeung kalangkang dipaké pikeun ngagambarkeun gunung anu luhur jeung cai anu jero. Terrazzo hideung digosok nepi ka mengkilap kawas eunteung, ku kituna pamandangan di luar jeung gerak para sémah bisa kagambar. Batu alam di lawang panto nyiptakeun jerona hiji lebak. Bahan séjénna ngawengku marmer anu ditatah, cét mineral, kai hideung, jeung kai oak.

Pangakuan

Ngeunaan A' Design Award Perak

Jinglan Bay Art Puseur Penjualan mangrupa juara A' Design Award Perak, pangakuan anu luar biasa bergengsi anu dipasihkeun ka desain kelas luhur, endah jeung matak kagum. Para juara Perak téh karya anu pohara cemerlang jeung pohara kréatif anu ngagambarkeun kaahlian, bakat jeung kapinteran para désainerna. Jinglan Bay Art Puseur Penjualan diharepkeun jadi karya anu éndah, karya andalan anu pohara profésional jeung pohara inovatif. Desain juara A' Design Award Perak ieu mangrupa panemuan anu pohara kasohor jeung dikagumi anu mangpaat sarta ngamajukeun watesan seni, élmu, desain jeung téknologi. Jinglan Bay Art Puseur Penjualan mangrupa kréasi anu pohara diirikeun anu ngahudang kahayang, ngabawa rasa positip, jeung ngahudangkeun rasa heran jeung kagum.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Diménsi & Bungkusan: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Tag: sales center, landscape, museum, indoor architecture, interior design
Téknologi Produksi: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Tantangan Desain: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Panalungtikan: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Inspirasi: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Durasi Proyék: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Alur Operasi: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Krédit Gambar: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.