Karya Qin Runtuyan Poster ku Kaidi Mao nyaéta pamenang anu dihormat pisan tina 2021 A' Design Award Perunggu anu bergengsi dina Katégori Kompetisi Grafis.

PerungguGrafis· 2021

Qin Runtuyan Poster

ku Kaidi Mao

Klién: Kaidi Mao

Pamenang A' Design Award Perunggu dina Katégori Grafis

9,015

Pamenang Panghargaan anu Diverifikasi

Verifikasi Status Panghargaan pikeun #124488

Tingali di A' Design Award Siaran Pers Lencana Panghargaan

Warna

Désain

Ngeunaan Qin Runtuyan Poster

Qin nyaéta runtuyan poster anu napsirkeun deui tradisi lukisan lanskap Cina ngaliwatan média digital. Ngaran Qin asalna tina kecap Cina anu hartina meresep atawa neuseup ka jero, sarta aksara tinulisna ngahijikeun tanda pikeun cai jeung haté. Gambar-gambarna mimitina mangrupa poto anu saterusna dikembangkeun make parabot digital saperti Photoshop, Cinema 4D jeung Procreate. Runtuyan ieu diproduksi dina dua ukuran sarta bisa ditembongkeun dina wangun citakan atawa dina layar, di galeri atawa di imah. Maksudna nyaéta pikeun ngébréhkeun pandangan Taois ngeunaan alam pikeun panongton internasional.

Pangakuan

Ngeunaan A' Design Award Perunggu

Qin Runtuyan Poster mangrupa juara A' Design Award Perunggu, pangakuan anu pohara bergengsi anu dipasihkeun ka desain unggul anu dicirikeun ku kréativitas, kacerdikan jeung kawaspadaan. Para juara Perunggu téh artéfak anu lobaan kaahlian jeung kréatif pisan anu ngabuktikeun pangalaman anu lega, imajinasi jeung kacerdasan para désainerna. Qin Runtuyan Poster diharepkeun jadi objék anu dihargaan, dikagumi jeung dipikanyaah anu profésional jeung inovatif. Desain juara A' Design Award Perunggu ieu ngalebetkeun prakték pangalusna dina seni, élmu, desain jeung téknologi, sarta unggul dina perhatian kana détail. Qin Runtuyan Poster minuhan kabutuhan kalayan éndah, nyentuh kahayang, nyenangkeun rasa, jeung narik rasa panasaran.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Diménsi & Bungkusan: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Tag: Art, poster, Taoism, culture, landscape, painting
Téknologi Produksi: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Tantangan Desain: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Panalungtikan: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspirasi: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Durasi Proyék: The project started in September 2019, finished in May 2020 in Los Angeles.
Alur Operasi: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.