The Last Blooming Lawon Multifungsi ku Qixin Wu

Karya The Last Blooming Lawon Multifungsi ku Qixin Wu nyaéta pamenang anu dihormat pisan tina 2023 A' Design Award Beusi anu bergengsi dina Katégori Kompetisi Tékstil.

BeusiTékstil· 2023

The Last Blooming Lawon Multifungsi

ku Qixin Wu

Klién: EchoWu Design Studio

Pamenang A' Design Award Beusi dina Katégori Tékstil

37,954

Pamenang Panghargaan anu Diverifikasi

Verifikasi Status Panghargaan pikeun #108758

Buka Situs Tingali di A' Design Award Siaran Pers Lencana Panghargaan

Warna

Désain

Ngeunaan The Last Blooming Lawon Multifungsi

Pikeun nangkep hiji hal logis subversive, pikeun ngarobah harti sahingga bisa hirup kalawan kompléks jadi éksplorasi basajan tina hubungan antara mimiti jeung finish, kembang maot jadi bahan utama pikeun nganyatakeun mekar vivid. Aranjeunna tetep mekar sareng nunjukkeun kaéndahan ahir. The ulang harmonis jeung motif vibrant masihan perenah ekspresi leuwih poténsial. Lapisan ganda lawon, luhur nyaéta chiffon sareng tonggongna katun, nyiptakeun pergeseran nalika angin datang. Penampilan chiffon anu transparan nyumbang kana The Last Blooming langkung pikaresepeun sareng misterius.

Pangakuan

Ngeunaan A' Design Award Beusi

The Last Blooming Lawon Multifungsi mangrupa juara A' Design Award Beusi, pangakuan anu bergengsi anu dipasihkeun ka desain alus anu minuhan sarat profésional jeung industri anu diharepkeun tina kréasi anu dirarancang alus. Para juara Beusi nunjukkeun kaahlian anu hébat, spésialisasi anu luhur, pamahaman ahli jeung kamampuh kréatif para kréatorna. The Last Blooming Lawon Multifungsi diharepkeun jadi kréasi anu dihargaan, dikagumi jeung dipikanyaah anu praktis jeung inovatif. Desain juara A' Design Award Beusi ieu ngalebetkeun prakték pangalusna industri sarta ngabogaan ciri téknis anu mampuh pakait jeung pangweruh praktis jeung bakat. The Last Blooming Lawon Multifungsi dihormat pikeun katelitianana sarta dirarancang pikeun méré paningkatan kualitas hirup anu mantuan ngajadikeun dunya tempat nu leuwih hadé.

Di Balik Désain

Kit Pers

Krédit, anggota tim sareng detil téknis anu disayogikeun ku désainer.

Sipat Unik: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Diménsi & Bungkusan: High: 27 inches
Width: 45 inches
Tag: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Téknologi Produksi: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Tantangan Desain: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Panalungtikan: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Inspirasi: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Durasi Proyék: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Alur Operasi: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Patén: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Krédit Gambar: Qixin Wu