The Japanese Forest Ho Nka Lifoto ka Masaru Eguchi

Moralo oa The Japanese Forest Ho Nka Lifoto ka Masaru Eguchi ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fotokherafi le Tshebetso ya Ditshwantsho.

SileveraFotokherafi· 2020

The Japanese Forest Ho Nka Lifoto

ka Masaru Eguchi

Moreki: Sunpono

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Fotokherafi

52,557

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #95058

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le The Japanese Forest Ho Nka Lifoto

Moru oa Japane o nkuoa ponong ea bolumeli ba Majapane. E 'ngoe ea litumelo tsa khale tsa Japane ke Lifeism. Boloi ke tumelo ea hore libopuoa tseo e seng batho, e ntse e le bophelo (liminerale, liemahale, jj) le lintho tse sa bonahaleng le tsona li na le sepheo. Ho nka lifoto ho tšoana le sena. Masaru Eguchi o thunya ntho e 'ngoe e etsang hore a ikutloe a le sehlohlolong. Lifate, joang, le liminerale li utloa thato ea bophelo. Le lits'oants'o tsa maiketsetso tse kang matamo a tlohileng tlholehong nako e telele, a utloa thato. Feela joalokaha u bona sebopuoa se sa sebetsoeng, bokamoso bo tla bona botle ba hona joale.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

The Japanese Forest Ho Nka Lifoto ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. The Japanese Forest Ho Nka Lifoto e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. The Japanese Forest Ho Nka Lifoto ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Boholo le Phuthelo: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Lithegi: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Theknoloji ya Tlhahiso: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Phephetso ya Moralo: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Dipatlisiso: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Kgothaletso: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Nako ya Projeke: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Tsamaiso ya Mosebetsi: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Diphatente: Copyright: Masaru Eguchi
Litlotla tsa Setshwantsho: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.